1 00:00:02,336 --> 00:00:03,504 PREVIOUSLY ON LOVE and HIP-HOP: 2 00:00:03,504 --> 00:00:04,438 ATLANTA... 3 00:00:04,438 --> 00:00:06,040 I NEED 50 GRAND. 4 00:00:06,040 --> 00:00:07,075 IF I INVEST IN THIS BUSINESS 5 00:00:07,075 --> 00:00:09,009 AND I SEE THAT YOU WIFE-ING UP A 6 00:00:09,009 --> 00:00:11,112 HO AND SHE'S BENEFITTING FROM MY 7 00:00:11,112 --> 00:00:13,814 MONEY, IT'S GONNA BE A PROBLEM. 8 00:00:13,814 --> 00:00:14,715 WHAT'S GOING ON WITH BENZINO? 9 00:00:14,715 --> 00:00:15,449 YOU KNOW HE TOLD ME HE 10 00:00:15,449 --> 00:00:16,450 [bleep] YOU? 11 00:00:16,450 --> 00:00:18,352 ARE YOU SERIOUS? 12 00:00:18,352 --> 00:00:19,720 IF I DON'T GET MY MONEY, 13 00:00:19,720 --> 00:00:20,421 WE GOT A PROBLEM. 14 00:00:20,421 --> 00:00:21,155 FIND MY MOTHER[bleep] 15 00:00:21,155 --> 00:00:22,790 CONTRACT, BRING IT BACK TO ME, 16 00:00:22,790 --> 00:00:24,292 AND THEN ADD ME IN FOR 30%, 17 00:00:24,292 --> 00:00:25,093 'CAUSE I DON'T WANT TO SLAP 18 00:00:25,093 --> 00:00:26,094 THAT [bleep] OUT YOUR ASS. 19 00:00:26,094 --> 00:00:28,462 AGH! 20 00:00:28,462 --> 00:00:29,863 SHE [bleep] WITH THE WRONG 21 00:00:29,863 --> 00:00:30,598 BITCH. 22 00:00:30,598 --> 00:00:31,332 I'M PICKING UP [bleep], 23 00:00:31,332 --> 00:00:32,400 THROWING IT AT YOU. 24 00:00:32,400 --> 00:00:33,201 THAT'S GONNA BRING SOME REAL 25 00:00:33,201 --> 00:00:34,435 PROBLEMS, AND I DON'T THINK 26 00:00:34,435 --> 00:00:35,703 SHE'S DONE HER HOMEWORK TO KNOW 27 00:00:35,703 --> 00:00:36,504 WHAT TYPE OF PROBLEMS THAT'S 28 00:00:36,504 --> 00:00:38,272 GONNA BRING. 29 00:00:38,272 --> 00:00:39,173 AT THIS POINT, LIKE, I'M 30 00:00:39,173 --> 00:00:40,341 GONNA BE RESPECTED. 31 00:00:40,341 --> 00:00:41,575 BUT SINCE YOU'RE TRYING TO GO 32 00:00:41,575 --> 00:00:42,676 IN ON ME-- 33 00:00:42,676 --> 00:00:43,344 ME? 34 00:00:43,344 --> 00:00:44,678 [both shouting] 35 00:00:44,678 --> 00:00:45,579 YOU POP OUT, BUT YOU WON'T 36 00:00:45,579 --> 00:00:46,347 JUMP OUT. 37 00:00:46,347 --> 00:00:48,382 SHUT THE [bleep] UP! 38 00:00:48,382 --> 00:00:49,650 SHUT UP, MAN! 39 00:00:49,650 --> 00:00:50,518 GET THE [bleep] OUT OF MY 40 00:00:50,518 --> 00:00:51,285 HOUSE! 41 00:00:51,285 --> 00:00:53,287 TAKE HER OUT OF MY HOUSE! 42 00:00:55,689 --> 00:00:57,057 * THIS IS THE LIFE 43 00:00:57,057 --> 00:00:58,025 ♪ THIS IS THE LIFE 44 00:00:58,025 --> 00:00:58,692 * YEAH 45 00:00:58,692 --> 00:00:59,427 * THIS IS THE LIFE 46 00:00:59,427 --> 00:01:00,394 ♪ THIS IS THE LIFE 47 00:01:00,394 --> 00:01:01,129 * 'SUP ♪ 48 00:01:01,129 --> 00:01:01,929 * THIS IS THE LIFE 49 00:01:01,929 --> 00:01:02,963 ♪ THIS IS THE LIFE 50 00:01:02,963 --> 00:01:03,631 * HUH 51 00:01:03,631 --> 00:01:04,332 * THIS IS THE LIFE 52 00:01:04,332 --> 00:01:07,435 ♪ THIS IS THE LIFE 53 00:01:07,435 --> 00:01:08,136 * HUH 54 00:01:08,136 --> 00:01:09,002 ♪ THERE AIN'T NOTHING LIKE ♪ 55 00:01:09,002 --> 00:01:11,439 ♪ HIP-HOP MUSIC 56 00:01:11,439 --> 00:01:12,273 ♪ MUSIC 57 00:01:12,273 --> 00:01:13,641 * THIS IS THE LIFE 58 00:01:13,641 --> 00:01:18,146 ♪ THIS IS THE LIFE 59 00:01:26,320 --> 00:01:27,721 I ALMOST CALLED OFF THE 60 00:01:27,721 --> 00:01:29,157 ENGAGEMENT LAST NIGHT WITH ERICA 61 00:01:29,157 --> 00:01:30,158 'CAUSE, YOU KNOW, HER AND MY 62 00:01:30,158 --> 00:01:31,892 MAMA GOT INTO IT AGAIN WITH ME 63 00:01:31,892 --> 00:01:33,594 IN THE MIDDLE. 64 00:01:33,594 --> 00:01:34,895 WE NORMALLY HAVE THIS THREE-DAY 65 00:01:34,895 --> 00:01:37,165 LIMIT WHERE WE WOULD BREAK UP 66 00:01:37,165 --> 00:01:38,599 AND THEN WE'D BE BACK TOGETHER 67 00:01:38,599 --> 00:01:39,867 IN THREE DAYS OR BACK TOGETHER 68 00:01:39,867 --> 00:01:40,701 IN A WEEK. 69 00:01:40,701 --> 00:01:42,603 BUT, FOR GOD'S SAKE, I LOVE HER, 70 00:01:42,603 --> 00:01:43,571 YOU KNOW WHAT I'M SAYING? 71 00:01:43,571 --> 00:01:45,273 SO WHEN MY MA HOLLERED AT ME AND 72 00:01:45,273 --> 00:01:46,674 SAID SHE WANTED TO MEET UP, I 73 00:01:46,674 --> 00:01:49,177 SAID, "COOL, I'MA LISTEN, BUT IT 74 00:01:49,177 --> 00:01:50,844 AIN'T GONNA BE JUST ALL YOU. 75 00:01:50,844 --> 00:01:51,845 IT GONNA BE A TWO-SIDED 76 00:01:51,845 --> 00:01:53,514 CONVERSATION 'CAUSE I GOT MY 77 00:01:53,514 --> 00:01:54,682 OWN FEELINGS." 78 00:01:54,682 --> 00:01:55,749 IT'S LIKE I BEEN GOING 79 00:01:55,749 --> 00:01:56,417 THROUGH STUFF. 80 00:01:56,417 --> 00:01:57,851 I HAVEN'T BEEN ABLE TO SLEEP. 81 00:01:57,851 --> 00:01:59,953 I HAVE A LOT OF ISSUES AND ANGER 82 00:01:59,953 --> 00:02:00,754 IN ME. 83 00:02:00,754 --> 00:02:02,656 EVERYBODY HAVE THEY WAY THEY 84 00:02:02,656 --> 00:02:03,724 FEEL, AND THEY WANT TO GET IT 85 00:02:03,724 --> 00:02:04,392 OFF THEY CHEST. 86 00:02:04,392 --> 00:02:05,326 THAT'S WHAT IT WAS DEALT FOR. 87 00:02:05,326 --> 00:02:06,427 I MEAN, GET IT OFF YOUR CHEST. 88 00:02:06,427 --> 00:02:07,195 BUT IN THE DAY? 89 00:02:07,195 --> 00:02:08,929 BUT DO IT RESPECTFUL, YOU 90 00:02:08,929 --> 00:02:09,597 KNOW WHAT I'M SAYING? 91 00:02:09,597 --> 00:02:10,464 THAT'S WHERE I WAS AT WITH IT. 92 00:02:10,464 --> 00:02:11,465 RIGHT, YOU WERE. 93 00:02:11,465 --> 00:02:12,600 YOU WERE, AND I CAN'T GO AGAINST 94 00:02:12,600 --> 00:02:16,204 THAT, BUT WHEN YOU CHECK ME, SHE 95 00:02:16,204 --> 00:02:18,872 FELT LIKE IT WAS THE GATE OPEN 96 00:02:18,872 --> 00:02:20,474 TO, "I CAN GO IN ON HIS MAMA." 97 00:02:20,474 --> 00:02:21,375 YOU EVER SEEN THE TV SHOW 98 00:02:21,375 --> 00:02:22,042 SNAPPED? 99 00:02:22,042 --> 00:02:23,511 SHE SNAPPED, YOU FEEL ME? 100 00:02:23,511 --> 00:02:24,212 YOU DONE SNAPPED BEFORE. 101 00:02:24,212 --> 00:02:25,813 YEAH, I DONE SNAPPED BEFORE. 102 00:02:25,813 --> 00:02:26,714 SO LET HER HAVE THAT. 103 00:02:26,714 --> 00:02:27,915 YOU KNOW, I LET HER HAVE THAT. 104 00:02:27,915 --> 00:02:29,483 SHE WENT HAM, BUT SHE DIDN'T 105 00:02:29,483 --> 00:02:31,118 CALL YOU OUT YOUR NAME. 106 00:02:31,118 --> 00:02:32,286 SO YOU GONNA HOLD ON 'CAUSE 107 00:02:32,286 --> 00:02:34,255 SHE DIDN'T CALL ME OUT MY NAME 108 00:02:34,255 --> 00:02:35,088 THAT SHE WAS IN RIGHT? 109 00:02:35,088 --> 00:02:36,557 I MEAN, SHE--I MEAN-- 110 00:02:36,557 --> 00:02:37,458 DISRESPECT IS DISRESPECT ON 111 00:02:37,458 --> 00:02:38,226 ANY LEVEL. 112 00:02:38,226 --> 00:02:40,228 MA, THAT COME FROM YEARS AND 113 00:02:40,228 --> 00:02:41,529 YEARS OF YOU JUST PINCHING HER. 114 00:02:41,529 --> 00:02:42,396 NAH, THAT COME FROM YEARS AND 115 00:02:42,396 --> 00:02:44,365 YEARS OF HER DOING IT TOO. 116 00:02:44,365 --> 00:02:47,000 HER DOING IT TOO. 117 00:02:47,000 --> 00:02:48,369 BUT SHE DOES IT FIRST, AND SHE 118 00:02:48,369 --> 00:02:50,304 COMES WITH THE [bleep] FIRST. 119 00:02:50,304 --> 00:02:51,104 SHE COME WITH IT-- 120 00:02:51,104 --> 00:02:52,740 SHE'S A DISRESPECTFUL BITCH, 121 00:02:52,740 --> 00:02:53,441 SCRAPPY. 122 00:02:53,441 --> 00:02:54,107 WHOA, WHOA, WHOA. 123 00:02:54,107 --> 00:02:55,909 ERICA IS--SHE IS! 124 00:02:55,909 --> 00:02:56,577 WHOA, HOLD ON. 125 00:02:56,577 --> 00:02:57,478 OH, YOU DIDN'T SEE THAT? 126 00:02:57,478 --> 00:02:58,145 WOW. 127 00:02:58,145 --> 00:02:59,280 WOW? 128 00:02:59,280 --> 00:03:00,614 YOU HEARD ME AND THE WAY I 129 00:03:00,614 --> 00:03:03,517 SPELL IT TOO: B-I-T-C-H. 130 00:03:03,517 --> 00:03:05,052 BITCH. 131 00:03:05,052 --> 00:03:06,053 LET ME SAY THIS. 132 00:03:06,053 --> 00:03:07,388 LET ME SAY--HEAR ME OUT, BECAUSE 133 00:03:07,388 --> 00:03:09,657 I HEAR YOU OUT. 134 00:03:09,657 --> 00:03:11,959 AT THE END OF THE DAY, I WANT 135 00:03:11,959 --> 00:03:15,863 SOMEBODY THAT KNOWS--AND HOW--TO 136 00:03:15,863 --> 00:03:18,266 LOVE YOU AND TREAT YOU RIGHT. 137 00:03:18,266 --> 00:03:19,032 BUT YOU KNOW WHAT, THOUGH? 138 00:03:19,032 --> 00:03:20,401 I MAY HAVE BEEN BORN, BUT IT 139 00:03:20,401 --> 00:03:21,269 WASN'T LAST NIGHT. 140 00:03:21,269 --> 00:03:23,036 YOU JUST SAID THE KEY WORD. 141 00:03:23,036 --> 00:03:25,339 YOU SAID, "YOU WANT." 142 00:03:25,339 --> 00:03:26,006 YOU WANT, 143 00:03:26,006 --> 00:03:26,674 I WANT, 144 00:03:26,674 --> 00:03:28,175 TOTALLY TWO DIFFERENT THINGS. 145 00:03:28,175 --> 00:03:30,811 SOMETIME MOMMA KNOWS BEST, BUT 146 00:03:30,811 --> 00:03:32,313 I WANT TO GO OFF WHAT I KNOW 147 00:03:32,313 --> 00:03:33,514 BEST, YOU KNOW WHAT I'M SAYING? 148 00:03:33,514 --> 00:03:35,583 WITH THE WILL THAT GOD GAVE ME, 149 00:03:35,583 --> 00:03:36,284 YOU FEEL ME? 150 00:03:36,284 --> 00:03:38,386 LIKE, I'M NOT FEELING THE DO 151 00:03:38,386 --> 00:03:39,587 WHAT MY MAMA WANT ME TO DO LIKE 152 00:03:39,587 --> 00:03:40,654 I'M FIVE YEARS OLD. 153 00:03:40,654 --> 00:03:41,489 SHE TELL ME TO GO USE THE 154 00:03:41,489 --> 00:03:42,990 BATHROOM; I GO USE THE BATHROOM. 155 00:03:42,990 --> 00:03:44,358 I'MA PEE WHAT I WANT TO PIZZ 156 00:03:44,358 --> 00:03:45,293 NOW, ALL RIGHT? 157 00:03:45,293 --> 00:03:46,026 BUT YOU KNOW YOUR MAMA GOT 158 00:03:46,026 --> 00:03:47,027 YOUR BACK. 159 00:03:47,027 --> 00:03:48,929 BUT JUST HAVE MY BACK WAY IN 160 00:03:48,929 --> 00:03:50,531 THE BACK, YOU FEEL ME? 161 00:03:50,531 --> 00:03:52,600 WAY--HOLLERING DISTANCE, YOU 162 00:03:52,600 --> 00:03:53,567 KNOW WHAT I'M SAYING? 163 00:03:53,567 --> 00:03:54,568 NO, I'D RATHER GO UP IN THE 164 00:03:54,568 --> 00:03:56,337 AIR SO I CAN HOVER LIKE A BIRD 165 00:03:56,337 --> 00:03:58,339 IN THE AIR. 166 00:03:58,339 --> 00:03:59,773 I LOVE YOU SO MUCH. 167 00:03:59,773 --> 00:04:01,309 I LOVE YOU TOO, MOMMA. 168 00:04:01,309 --> 00:04:03,210 LOOK AT YOU. 169 00:04:03,210 --> 00:04:04,678 LOOK LIKE YOUR DADDY. 170 00:04:04,678 --> 00:04:05,979 DON'T DRINK TOO MUCH WITHOUT YOU 171 00:04:05,979 --> 00:04:07,615 A CHASER, ALL RIGHT? 172 00:04:07,615 --> 00:04:08,449 LET ME GO. 173 00:04:08,449 --> 00:04:10,451 THIS IS WATER. 174 00:04:22,696 --> 00:04:24,197 CHOCOLATE, CHOCOLATE, 175 00:04:24,197 --> 00:04:25,599 CHOCOLATE. 176 00:04:25,599 --> 00:04:26,567 THOUGHT EVERY GIRL LOVES 177 00:04:26,567 --> 00:04:27,735 CHOCOLATE. 178 00:04:27,735 --> 00:04:29,036 I TOLD STEVIE I WAS GONNA GET 179 00:04:29,036 --> 00:04:30,671 THAT PAPER NO MATTER WHAT, SO 180 00:04:30,671 --> 00:04:31,805 WHEN HE DECIDED TO SHOW UP AT 181 00:04:31,805 --> 00:04:33,641 THE CLUB LOOKING LIKE MALCOLM X 182 00:04:33,641 --> 00:04:34,942 WITH THAT UGLY-ASS SUIT ON AND 183 00:04:34,942 --> 00:04:36,710 THEM UGLY GLASSES, I'M THINKING 184 00:04:36,710 --> 00:04:38,479 HE'S GONNA BRING ME MY CONTRACT, 185 00:04:38,479 --> 00:04:39,347 AND THE ONLY THING HE BRING ME 186 00:04:39,347 --> 00:04:40,681 IS A BUNCH OF STRESS. 187 00:04:40,681 --> 00:04:42,215 I DON'T NEED THIS IN MY LIFE. 188 00:04:42,215 --> 00:04:43,884 WHY IT'S ALWAYS GOT TO BE SO 189 00:04:43,884 --> 00:04:45,619 MESSY WITH THAT MAN? 190 00:04:45,619 --> 00:04:46,587 LIKE, I'M NOT REALLY THINKING, 191 00:04:46,587 --> 00:04:48,021 LIKE, "OH, I'M WORRYING ABOUT 192 00:04:48,021 --> 00:04:48,856 STEVIE, THINK ABOUT WHAT HE 193 00:04:48,856 --> 00:04:49,523 GONNA DO." 194 00:04:49,523 --> 00:04:51,158 HE GONNA DO WHAT HE GONNA DO, 195 00:04:51,158 --> 00:04:52,360 'CAUSE--GUESS WHY. 196 00:04:52,360 --> 00:04:53,193 HE AIN'T GOT NO CHOICE. 197 00:04:53,193 --> 00:04:53,861 TRUE. 198 00:04:53,861 --> 00:04:55,228 'CAUSE WITHOUT ME, WHAT HE 199 00:04:55,228 --> 00:04:56,096 GONNA BE? 200 00:04:56,096 --> 00:04:56,964 SITTING AROUND. 201 00:04:56,964 --> 00:04:57,698 SITTING AROUND LOOKING 202 00:04:57,698 --> 00:04:58,366 STUPID. 203 00:04:58,366 --> 00:04:59,066 WITH THOSE STEVE URKEL 204 00:04:59,066 --> 00:04:59,733 GLASSES ON. 205 00:04:59,733 --> 00:05:00,734 YEAH, LOOKING LIKE BOO BOO 206 00:05:00,734 --> 00:05:01,635 THE FOOL WITH THEM UGLY 207 00:05:01,635 --> 00:05:02,603 GLASSES ON. 208 00:05:02,603 --> 00:05:03,537 AND YOU LOOK A MESS, AND YOU 209 00:05:03,537 --> 00:05:04,372 WANT TO WALK UP IN HERE AND TALK 210 00:05:04,372 --> 00:05:05,238 ABOUT SOMETHING I GOT TO DEAL 211 00:05:05,238 --> 00:05:06,239 WITH THAT SECOND, SO YOU CAN GO 212 00:05:06,239 --> 00:05:07,908 BUY YOU ANOTHER UGLY-ASS SUIT. 213 00:05:07,908 --> 00:05:09,009 EVERY TIME HE GET MAD, IT'S 214 00:05:09,009 --> 00:05:10,210 LIKE WE ALWAYS HAVE TO BE IN 215 00:05:10,210 --> 00:05:11,912 ANOTHER SITUATION WHERE IT'S 216 00:05:11,912 --> 00:05:14,582 LIKE, "OKAY, STEVIE, THIS IS A 217 00:05:14,582 --> 00:05:16,083 BUSINESS ASPECT. 218 00:05:16,083 --> 00:05:17,017 THIS IS NOT THE PERSONAL 219 00:05:17,017 --> 00:05:17,885 RELATIONSHIP. 220 00:05:17,885 --> 00:05:19,420 WE'RE OUT IN PUBLIC." 221 00:05:19,420 --> 00:05:21,455 THE GROUNDING OF "PERSONAL, HERE 222 00:05:21,455 --> 00:05:23,424 WE GO AGAIN" STEVIE AND BUSINESS 223 00:05:23,424 --> 00:05:25,292 HAS STILL NOT BEEN MET. 224 00:05:25,292 --> 00:05:26,226 YOU KNOW, I TRY TO KEEP THE 225 00:05:26,226 --> 00:05:27,828 PERSONAL AWAY FROM MY BUSINESS 226 00:05:27,828 --> 00:05:29,162 WITH STEVIE, BUT IT REALLY DOES 227 00:05:29,162 --> 00:05:30,564 NOT WORK OUT, SO IT FEELS LIKE 228 00:05:30,564 --> 00:05:32,400 I'M IN A LOSE-LOSE SITUATION. 229 00:05:32,400 --> 00:05:33,767 DEALING WITH THIS MAN IS DEALING 230 00:05:33,767 --> 00:05:35,603 WITH SOMETHING THAT IS THE 231 00:05:35,603 --> 00:05:37,270 UNUSUAL. 232 00:05:37,270 --> 00:05:38,205 IF I HAVE SEX WITH HIM, IT'S A 233 00:05:38,205 --> 00:05:39,507 PROBLEM, AND IF IT DON'T, IT'S 234 00:05:39,507 --> 00:05:41,241 ANOTHER PROBLEM, SO WHAT THE 235 00:05:41,241 --> 00:05:42,643 [bleep] CAN I DO? 236 00:05:42,643 --> 00:05:44,011 OH, GOSH, THIS IS SUCH A 237 00:05:44,011 --> 00:05:45,613 DIFFICULT SITUATION. 238 00:05:45,613 --> 00:05:46,414 RIGHT NOW, I'M JUST, LIKE, 239 00:05:46,414 --> 00:05:47,280 CONFUSED. 240 00:05:47,280 --> 00:05:48,416 I DIDN'T KNOW WHAT HE WANT. 241 00:05:48,416 --> 00:05:49,450 HE'S DRIVING ME CRAZY 'CAUSE I 242 00:05:49,450 --> 00:05:51,552 THINK HE'S CRAZY. 243 00:05:55,656 --> 00:05:56,890 WHAT YOU WANT TO DRINK? 244 00:05:56,890 --> 00:05:58,191 I DON'T WANT NO JACK. 245 00:05:58,191 --> 00:05:58,992 NOW THAT THINGS ARE BACK TO 246 00:05:58,992 --> 00:06:00,060 NORMAL WITH ME AND MIMI AFTER 247 00:06:00,060 --> 00:06:01,829 THE WHOLE EX SITUATION WITH 248 00:06:01,829 --> 00:06:03,296 RASHEEDA, I WANTED TO HAVE HER 249 00:06:03,296 --> 00:06:05,032 OVER TO DISCUSS SOME THINGS THAT 250 00:06:05,032 --> 00:06:06,634 I'VE BEEN GOING THROUGH. 251 00:06:06,634 --> 00:06:08,035 I HAVE ISSUES. 252 00:06:08,035 --> 00:06:10,438 I HAVE A DRINKING PROBLEM WHEN 253 00:06:10,438 --> 00:06:11,171 IT COMES TO SEX. 254 00:06:11,171 --> 00:06:13,140 SOMETHING--I HONESTLY HAVE A 255 00:06:13,140 --> 00:06:14,475 BROKE HOT POCKET. 256 00:06:14,475 --> 00:06:15,142 WHAT DO YOU MEAN? 257 00:06:15,142 --> 00:06:16,076 WHEN IT COMES TO SEX, YOU HAVE 258 00:06:16,076 --> 00:06:16,810 TO DRINK? 259 00:06:16,810 --> 00:06:18,512 PROBLEM IS, IT'S JUST THIS 260 00:06:18,512 --> 00:06:20,080 ONE DUDE. 261 00:06:20,080 --> 00:06:21,449 EVER SINCE I STOPPED TALKING TO 262 00:06:21,449 --> 00:06:23,517 MY LAST GUY, MY WHOO-HA HAS NOT 263 00:06:23,517 --> 00:06:24,552 BEEN THE SAME. 264 00:06:24,552 --> 00:06:25,686 HE WAS THE ONLY ONE THAT COULD 265 00:06:25,686 --> 00:06:27,588 GET IT BACK TO WORKING AND 266 00:06:27,588 --> 00:06:29,490 PUMPING AND DOING WHAT IT NEEDED 267 00:06:29,490 --> 00:06:31,291 TO DO, SO NOW WHEN I TRY TO DATE 268 00:06:31,291 --> 00:06:32,760 A GUY, I HAVE TO TAKE MY OTHER 269 00:06:32,760 --> 00:06:34,562 MAN, JACK DANIELS. 270 00:06:34,562 --> 00:06:37,064 THIS IS THE FIRST DUDE EVER THAT 271 00:06:37,064 --> 00:06:39,232 I HAVE GONE HARD FOR. 272 00:06:39,232 --> 00:06:40,300 GIRL, GET TO THE GOOD STUFF. 273 00:06:40,300 --> 00:06:41,469 QUIT PLAYING WITH THE ROMANCE 274 00:06:41,469 --> 00:06:42,135 AND ALL OF THAT. 275 00:06:42,135 --> 00:06:44,371 THE GOOD STUFF IS, HIS THING 276 00:06:44,371 --> 00:06:45,773 IS BIG, YOU KNOW? 277 00:06:45,773 --> 00:06:46,807 HE DONE SHUT HER DOWN. 278 00:06:46,807 --> 00:06:48,375 IT SAYS, "OUT OF ORDER." 279 00:06:48,375 --> 00:06:49,943 YOU GOT THAT YELLOW TAPE 280 00:06:49,943 --> 00:06:50,644 AROUND IT? 281 00:06:50,644 --> 00:06:52,345 SHE NEEDS REHAB. 282 00:06:52,345 --> 00:06:53,581 SO I'M GONNA GO TO MY DOCTOR, 283 00:06:53,581 --> 00:06:55,115 AND I'M GOING TO SEE WHY 284 00:06:55,115 --> 00:06:55,783 SHE'S BROKE. 285 00:06:55,783 --> 00:06:56,717 YOU SHOULD GO WITH ME. 286 00:06:56,717 --> 00:06:57,785 AIN'T NOTHING WRONG WITH 287 00:06:57,785 --> 00:06:58,719 THAT THANG. 288 00:06:58,719 --> 00:07:00,821 IT'S JUST YOU LIKE SOMEBODY, AND 289 00:07:00,821 --> 00:07:01,789 YOU WANT HIM BACK, AND THAT'S 290 00:07:01,789 --> 00:07:02,490 THE ISSUE. 291 00:07:02,490 --> 00:07:04,324 I NEED TO HEAR IT FROM A 292 00:07:04,324 --> 00:07:05,993 CERTIFIED PROFESSIONAL. 293 00:07:05,993 --> 00:07:08,662 I NEED HIM TO TELL ME THAT THIS 294 00:07:08,662 --> 00:07:10,664 THANG IS UP AND KICKING AND 295 00:07:10,664 --> 00:07:13,266 READY, AND I'M JUST WANTING THE 296 00:07:13,266 --> 00:07:14,167 OLD DUDE BACK. 297 00:07:14,167 --> 00:07:15,168 THAT'S IT. 298 00:07:15,168 --> 00:07:16,570 * MY COOCHIE DON'T WORK ♪ 299 00:07:16,570 --> 00:07:18,171 ♪ NO MORE 300 00:07:18,171 --> 00:07:19,907 ♪ IT'S BROKE ♪ 301 00:07:19,907 --> 00:07:21,675 ♪ IT'S NUMB ♪ 302 00:07:21,675 --> 00:07:23,143 ♪ I'D REALLY LIKE TO HAVE ♪ 303 00:07:23,143 --> 00:07:24,512 ♪ SOME FUN 304 00:07:24,512 --> 00:07:26,647 ♪ BUT IT WON'T [bleep] ♪ 305 00:07:26,647 --> 00:07:28,181 ♪ IT WON'T [bleep] ♪ 306 00:07:28,181 --> 00:07:29,550 [laughing] 307 00:07:29,550 --> 00:07:30,684 I MIGHT NEED YOU TO WRITE ME 308 00:07:30,684 --> 00:07:31,384 A SONG. 309 00:07:31,384 --> 00:07:32,520 WHO WE WRITING A SONG FOR? 310 00:07:32,520 --> 00:07:34,522 I HAVE A NEW FRIEND. 311 00:07:34,522 --> 00:07:35,188 IT'S NOT NEW. 312 00:07:35,188 --> 00:07:36,023 IT'S ACTUALLY AN OLD FRIEND. 313 00:07:36,023 --> 00:07:37,157 GIRL, DUCK. 314 00:07:37,157 --> 00:07:39,092 [laughing] 315 00:07:39,092 --> 00:07:40,227 GIRL, STEVIE GONNA START 316 00:07:40,227 --> 00:07:40,994 SHOOTING! 317 00:07:40,994 --> 00:07:42,530 I HAD AN OLD FRIEND FROM 318 00:07:42,530 --> 00:07:44,364 YEARS AGO THAT I KNEW POP UP, 319 00:07:44,364 --> 00:07:46,867 AND WE'RE NOW DATING. 320 00:07:46,867 --> 00:07:47,535 DRAMA-FREE. 321 00:07:47,535 --> 00:07:48,969 IT'S NO STRESS. 322 00:07:48,969 --> 00:07:49,637 I'M HAPPY. 323 00:07:49,637 --> 00:07:51,539 WOW, MIMI, YOU ACTUALLY LOOK 324 00:07:51,539 --> 00:07:53,641 LIKE YOU'RE HAPPY, SMILING LIKE 325 00:07:53,641 --> 00:07:56,176 NOT A FORCED SMILE, LIKE A... 326 00:07:56,176 --> 00:07:57,578 "WHOO, LOOK AT ME, BITCH. 327 00:07:57,578 --> 00:07:58,245 I'M ICE-SKATING." 328 00:07:58,245 --> 00:07:59,112 YOU KNOW WHEN YOU GET WITH 329 00:07:59,112 --> 00:08:01,181 SOMEBODY AND YOU JUST HAVE FUN? 330 00:08:01,181 --> 00:08:03,250 THERE'S NO WORRY, NO STRESS, 331 00:08:03,250 --> 00:08:03,951 NO NOTHING. 332 00:08:03,951 --> 00:08:06,286 YOU JUST ARE HAVING A GOOD 333 00:08:06,286 --> 00:08:06,954 [bleep] TIME. 334 00:08:06,954 --> 00:08:07,655 YOU'RE NOT WORRIED ABOUT 335 00:08:07,655 --> 00:08:08,622 [bleep]. 336 00:08:08,622 --> 00:08:09,322 I GOT TO WRITE YOU A 337 00:08:09,322 --> 00:08:09,990 GOOD SONG. 338 00:08:09,990 --> 00:08:11,158 YES. 339 00:08:11,158 --> 00:08:12,793 NO MORE "KISS MY ASS." 340 00:08:12,793 --> 00:08:14,294 AND WAIT TILL I GET THIS HOT 341 00:08:14,294 --> 00:08:15,162 POCKET CHECKED. 342 00:08:15,162 --> 00:08:18,599 [laughing] 343 00:08:18,599 --> 00:08:19,700 POW! 344 00:08:19,700 --> 00:08:22,636 [laughter] 345 00:08:22,636 --> 00:08:24,071 THE WHOLE DINNER SCENE JUST 346 00:08:24,071 --> 00:08:25,072 PUT THE ICING ON THE CAKE. 347 00:08:25,072 --> 00:08:26,006 SHE'S A RAW PERSON. 348 00:08:26,006 --> 00:08:27,207 MY MAMA'S NOT GONNA LET NOBODY 349 00:08:27,207 --> 00:08:28,108 JUST TELL HER WHAT TO DO. 350 00:08:28,108 --> 00:08:29,409 WELL, I WANT TO PUMP THE 351 00:08:29,409 --> 00:08:30,744 BRAKES. 352 00:08:30,744 --> 00:08:31,645 I BROUGHT THE CONTRACT THAT 353 00:08:31,645 --> 00:08:32,445 YOU ASKED FOR. 354 00:08:32,445 --> 00:08:33,280 [crying] I DON'T CARE ABOUT 355 00:08:33,280 --> 00:08:34,347 THAT [bleep] NO MORE, STEVIE, 356 00:08:34,347 --> 00:08:35,616 'CAUSE YOU [bleep] STRESS ME 357 00:08:35,616 --> 00:08:36,483 OUT. 358 00:08:36,483 --> 00:08:37,384 HURTING RASHEEDA, THAT CAN'T 359 00:08:37,384 --> 00:08:38,051 HAPPEN. 360 00:08:38,051 --> 00:08:39,252 YOU AND RASHEEDA LESBIAN 361 00:08:39,252 --> 00:08:39,920 RELATIONSHIP-- 362 00:08:39,920 --> 00:08:42,389 Y'ALL CAN KEEP THAT [bleep]. 363 00:08:55,903 --> 00:08:57,104 EVERY TIME WE GET INTO A 364 00:08:57,104 --> 00:08:58,305 ARGUMENT AND IT GETS HEATED, 365 00:08:58,305 --> 00:09:00,007 SCRAPPY ASKS FOR HIS RING BACK, 366 00:09:00,007 --> 00:09:01,274 AND IT'S COOL. 367 00:09:01,274 --> 00:09:03,110 I CAN BLOW IT OFF, BUT I CAN'T 368 00:09:03,110 --> 00:09:04,678 ACCEPT THE FACT THAT YOU CHOSE 369 00:09:04,678 --> 00:09:06,780 YOUR MOTHER OVER ME. 370 00:09:06,780 --> 00:09:07,681 THE WHOLE DINNER SCENE JUST-- 371 00:09:07,681 --> 00:09:09,750 IT JUST PUT THE ICING ON THE 372 00:09:09,750 --> 00:09:10,918 CAKE PRETTY MUCH. 373 00:09:10,918 --> 00:09:12,119 WE ALL CAN POINT FINGERS AND 374 00:09:12,119 --> 00:09:12,886 SAY, "OH, YOU WERE 375 00:09:12,886 --> 00:09:13,621 DISRESPECTFUL. 376 00:09:13,621 --> 00:09:14,287 YOU WERE DISRESPECTFUL." 377 00:09:14,287 --> 00:09:15,488 BUT WE ALL COULD HAVE HANDLED IT 378 00:09:15,488 --> 00:09:16,189 DIFFERENT, YOU KNOW WHAT 379 00:09:16,189 --> 00:09:16,857 I'M SAYING? 380 00:09:16,857 --> 00:09:17,625 WE ALL COULD HAVE HANDLED IT 381 00:09:17,625 --> 00:09:18,291 DIFFERENT. 382 00:09:18,291 --> 00:09:19,126 WE ALL COULD HAVE HANDLED IT 383 00:09:19,126 --> 00:09:19,793 DIFFERENT. 384 00:09:19,793 --> 00:09:20,894 BUT, IN THE SAME BREATH, 385 00:09:20,894 --> 00:09:22,162 UNDERSTAND THAT IT'S NOT 386 00:09:22,162 --> 00:09:23,496 POINTING A FINGER. 387 00:09:23,496 --> 00:09:24,464 IT'S TRYING TO CLEAR 388 00:09:24,464 --> 00:09:25,799 THE AIR OF A SITUATION 389 00:09:25,799 --> 00:09:27,134 THAT HAS BEEN CONTINUED AND 390 00:09:27,134 --> 00:09:28,335 DISRESPECTFUL THAT'S GOING ON 391 00:09:28,335 --> 00:09:29,536 FOR TEN YEARS. 392 00:09:29,536 --> 00:09:30,337 AND WE SUPPOSED TO BE A TEAM. 393 00:09:30,337 --> 00:09:31,639 WE SUPPOSED TO BE ONE. 394 00:09:31,639 --> 00:09:32,305 AND YOU SUPPOSED TO HAVE MY 395 00:09:32,305 --> 00:09:33,907 BACK, AND I DON'T FEEL LIKE YOU 396 00:09:33,907 --> 00:09:34,875 DID AT ALL. 397 00:09:34,875 --> 00:09:35,976 I CAN'T SEE HOW YOU DON'T 398 00:09:35,976 --> 00:09:37,177 UNDERSTAND, LIKE, I HAD 399 00:09:37,177 --> 00:09:37,845 YOUR BACK. 400 00:09:37,845 --> 00:09:40,681 MAYBE YOU JUST WAS GOING OFF, 401 00:09:40,681 --> 00:09:42,149 AND YOU AIN'T SEE IT. 402 00:09:42,149 --> 00:09:44,251 ERICA FEELING LIKE MY MAMA GOT 403 00:09:44,251 --> 00:09:46,186 UP IN THE TABLE WHEN SHE THE ONE 404 00:09:46,186 --> 00:09:47,888 GOT UP AND RAN AROUND THE ROOM 405 00:09:47,888 --> 00:09:49,456 LIKE THE TASMANIAN DEVIL AND 406 00:09:49,456 --> 00:09:50,390 GOING CRAZY. 407 00:09:50,390 --> 00:09:51,792 YOU DID THAT, NOT MY MAMA, 408 00:09:51,792 --> 00:09:52,492 YOU KNOW WHAT I'M SAYING? 409 00:09:52,492 --> 00:09:53,794 SHE MIGHT HAVE HAD HER OWN PART, 410 00:09:53,794 --> 00:09:54,728 BUT YOU THE ONE WENT CRAZY AND 411 00:09:54,728 --> 00:09:56,429 TOOK IT TO THAT NEXT LEVEL. 412 00:09:56,429 --> 00:09:57,497 I HAD EVERY RIGHT TO DO WHAT 413 00:09:57,497 --> 00:09:59,667 I DID BECAUSE I WAS IN MY HOME. 414 00:09:59,667 --> 00:10:00,834 I FEEL LIKE YOUR MOM GOT OUT OF 415 00:10:00,834 --> 00:10:02,069 LINE ONCE AGAIN. 416 00:10:02,069 --> 00:10:03,704 I MEAN, YEAH, BUT I HAVE BEEN 417 00:10:03,704 --> 00:10:06,239 KNOWING MY MAMA FOREVER AND EVER 418 00:10:06,239 --> 00:10:07,607 AND EVER, SO YOU KNOW WHAT I 419 00:10:07,607 --> 00:10:08,308 LEARNED TO DO? 420 00:10:08,308 --> 00:10:09,442 I LEARNED TO IGNORE THE 421 00:10:09,442 --> 00:10:10,778 CRAZINESS THAT COMES FROM OUT OF 422 00:10:10,778 --> 00:10:12,045 IT, YOU FEEL ME? 423 00:10:12,045 --> 00:10:12,913 BUT YOU KEEP SAYING YOU CAN'T 424 00:10:12,913 --> 00:10:13,814 KEEP HER FROM DOING THAT, AND I 425 00:10:13,814 --> 00:10:14,782 BELIEVE YOU CAN. 426 00:10:14,782 --> 00:10:15,716 I CAN'T. 427 00:10:15,716 --> 00:10:16,483 THERE'S NO WAY IN THE WORLD. 428 00:10:16,483 --> 00:10:17,384 SHE'S A GROWN PERSON, 429 00:10:17,384 --> 00:10:18,051 YOU FEEL ME? 430 00:10:18,051 --> 00:10:19,519 SHE'S A GROWN--OLDER THAN ME, 431 00:10:19,519 --> 00:10:20,187 YOU FEEL ME? 432 00:10:20,187 --> 00:10:21,154 AND NOT GONNA LET NOBODY JUST 433 00:10:21,154 --> 00:10:22,222 TELL HER WHAT TO DO, 434 00:10:22,222 --> 00:10:23,757 YOU FEEL ME? 435 00:10:23,757 --> 00:10:25,325 OKAY, WITH THAT BEING SAID 436 00:10:25,325 --> 00:10:26,960 THEN, THAT'S WHY I COME TO THE 437 00:10:26,960 --> 00:10:28,829 CONCLUSION WHERE I WANT TO PUMP 438 00:10:28,829 --> 00:10:30,497 THE BRAKES. 439 00:10:30,497 --> 00:10:31,164 PUMP MY BRAKES? 440 00:10:31,164 --> 00:10:32,065 WHAT THAT MEAN? 441 00:10:32,065 --> 00:10:32,766 I DON'T WANT TO START 442 00:10:32,766 --> 00:10:34,768 PLANNING THE WEDDING TILL I 443 00:10:34,768 --> 00:10:36,036 HONESTLY FEEL LIKE YOU GOT MY 444 00:10:36,036 --> 00:10:37,705 BACK, YOU GOT ME 100%, AND 445 00:10:37,705 --> 00:10:38,739 YOU PUTTING YOUR FOOT DOWN, 446 00:10:38,739 --> 00:10:40,040 LIKE, LETTING HER KNOW, LIKE, 447 00:10:40,040 --> 00:10:41,041 "HEY, MOM, YOU CAN'T KEEP 448 00:10:41,041 --> 00:10:42,209 DISRESPECTING HER." 449 00:10:42,209 --> 00:10:42,943 THIS IS NOT BOYFRIEND AND 450 00:10:42,943 --> 00:10:43,610 GIRLFRIEND ANYMORE. 451 00:10:43,610 --> 00:10:44,945 WE ENGAGED. 452 00:10:44,945 --> 00:10:48,381 I MEAN, LOOK, I PROPOSE. 453 00:10:48,381 --> 00:10:49,917 ERICA SAID YES. 454 00:10:49,917 --> 00:10:51,318 SHE KNEW MY MOM, BEEN KNOWING 455 00:10:51,318 --> 00:10:52,485 HER FOR 10, 11 YEARS, YOU KNOW 456 00:10:52,485 --> 00:10:53,153 WHAT I'M SAYING? 457 00:10:53,153 --> 00:10:54,487 SHE KNEW WHAT SHE COME WITH. 458 00:10:54,487 --> 00:10:55,956 SHE KNOW WHAT HAPPEN WITH BEING 459 00:10:55,956 --> 00:10:57,691 WITH ME, YOU KNOW? 460 00:10:57,691 --> 00:10:59,059 I SAY WE FOCUS ON US. 461 00:10:59,059 --> 00:11:00,293 SHE DON'T WANT TO FOCUS ON THAT. 462 00:11:00,293 --> 00:11:02,029 SHE WANT TO FOCUS ON MY MAMA, 463 00:11:02,029 --> 00:11:03,563 THEN GO HOLLER AT MY MAMA. 464 00:11:03,563 --> 00:11:04,597 EVEN WHEN YOU DON'T KNOW, I GOT 465 00:11:04,597 --> 00:11:05,265 YOUR BACK. 466 00:11:05,265 --> 00:11:06,499 I GOT YOUR BACK. 467 00:11:06,499 --> 00:11:07,801 BUT, HEY, IF YOU DON'T FEEL IT, 468 00:11:07,801 --> 00:11:09,536 LIKE I SAY, MAYBE YOU NEED TO 469 00:11:09,536 --> 00:11:11,338 THINK ABOUT THAT, 470 00:11:11,338 --> 00:11:12,773 ABOUT WHAT YOU WANT TO DO. 471 00:11:12,773 --> 00:11:13,841 I WANT TO HOLD OFF. 472 00:11:13,841 --> 00:11:15,208 LIKE, I DON'T WANT TO, YOU KNOW, 473 00:11:15,208 --> 00:11:16,376 START PLANNING YET UNTIL I 474 00:11:16,376 --> 00:11:17,310 REALLY FEEL LIKE YOU GOT 475 00:11:17,310 --> 00:11:18,478 MY BACK. 476 00:11:18,478 --> 00:11:20,480 WOW. 477 00:11:27,220 --> 00:11:28,889 I FINALLY GOT TRACI TO COME 478 00:11:28,889 --> 00:11:29,890 THROUGH TO CHECK OUT THE SPACE 479 00:11:29,890 --> 00:11:30,991 THAT I'M TRYING TO OPEN UP FOR 480 00:11:30,991 --> 00:11:32,125 THE SNEAKER STORE. 481 00:11:32,125 --> 00:11:33,226 SHE NEEDS TO TAKE ME SERIOUSLY 482 00:11:33,226 --> 00:11:34,762 AND KNOW THAT THIS IS MY TICKET 483 00:11:34,762 --> 00:11:36,496 BACK HOME TO BE WITH MY FAMILY. 484 00:11:36,496 --> 00:11:38,098 THIS IS THE SPACE. 485 00:11:38,098 --> 00:11:39,299 YOU LIKE IT? 486 00:11:39,299 --> 00:11:40,768 IT'S HUGE. 487 00:11:40,768 --> 00:11:42,102 THE RENT HERE IS $5,000 A 488 00:11:42,102 --> 00:11:44,004 MONTH, WHICH IS NOTHING. 489 00:11:44,004 --> 00:11:44,671 YEAH, THAT'S GOOD. 490 00:11:44,671 --> 00:11:46,173 HOW DID YOU GET IT FOR $5,000 491 00:11:46,173 --> 00:11:46,840 ON-- 492 00:11:46,840 --> 00:11:47,674 I'M A HUSTLER, BABY. 493 00:11:47,674 --> 00:11:48,675 MATTER OF FACT, I GOT-- 494 00:11:48,675 --> 00:11:49,609 HOLD ON, I GOT PICTURES OF WHAT 495 00:11:49,609 --> 00:11:50,811 WE'RE TRYING TO DO. 496 00:11:50,811 --> 00:11:52,379 THIS WALL RIGHT HERE, 497 00:11:52,379 --> 00:11:54,214 THIS IS THE SEXY WALL. 498 00:11:54,214 --> 00:11:55,382 IT'S BUILT OUT. 499 00:11:55,382 --> 00:11:56,283 YOU CAN SEE THE LIGHTS IN THE 500 00:11:56,283 --> 00:11:57,184 BACK. 501 00:11:57,184 --> 00:11:58,018 YOU SEE THE LIGHTS IN THE BACK? 502 00:11:58,018 --> 00:11:58,685 DID YOU CALL IT THE 503 00:11:58,685 --> 00:11:59,352 SEXY WALL? 504 00:11:59,352 --> 00:12:00,020 IT'S THE SEXY WALL. 505 00:12:00,020 --> 00:12:00,788 OH, MY GOD. 506 00:12:00,788 --> 00:12:01,521 LOOK, IT--IT'S SEXY. 507 00:12:01,521 --> 00:12:02,189 WELL, YOU KNOW WHAT? 508 00:12:02,189 --> 00:12:03,623 I'MA NEED SOME STUFF FROM YOU. 509 00:12:03,623 --> 00:12:04,792 YOU HAVE A BUSINESS PLAN. 510 00:12:04,792 --> 00:12:05,392 DO YOU HAVE A LAWYER? 511 00:12:05,392 --> 00:12:06,693 SEND ME THE NUMBER TO THE LAWYER 512 00:12:06,693 --> 00:12:07,527 SO I CAN TALK TO THEM 513 00:12:07,527 --> 00:12:08,195 ABOUT THIS. 514 00:12:08,195 --> 00:12:09,396 I GOT THAT. 515 00:12:09,396 --> 00:12:10,297 DO I HAVE SOME SAY-SO WITH 516 00:12:10,297 --> 00:12:10,998 THE HIRING? 517 00:12:10,998 --> 00:12:11,799 I KNOW WHERE YOU'RE GOING 518 00:12:11,799 --> 00:12:13,000 WITH THAT RIGHT NOW, LIKE, I 519 00:12:13,000 --> 00:12:14,334 KNOW EXACTLY. 520 00:12:14,334 --> 00:12:15,102 LET ME JUST--I'MA PUT IT OUT 521 00:12:15,102 --> 00:12:15,803 THERE: 522 00:12:15,803 --> 00:12:16,436 WE HAVE BOUTIQUE. 523 00:12:16,436 --> 00:12:17,437 WE'RE SELLING HIGH-END FASHION. 524 00:12:17,437 --> 00:12:18,205 WE'RE GONNA WANT BEAUTIFUL 525 00:12:18,205 --> 00:12:18,872 WOMEN. 526 00:12:18,872 --> 00:12:19,973 WE'RE GONNA WANT ATTRACTIVE MEN. 527 00:12:19,973 --> 00:12:20,640 OF COURSE. OF COURSE. 528 00:12:20,640 --> 00:12:21,474 AND IT HAS NOTHING TO DO WITH 529 00:12:21,474 --> 00:12:22,810 ANYTHING BUT THAT. 530 00:12:22,810 --> 00:12:23,844 I REALLY WANT TO BELIEVE 531 00:12:23,844 --> 00:12:24,812 DREW, BUT I ALREADY MADE IT 532 00:12:24,812 --> 00:12:26,046 CRYSTAL CLEAR THAT ME AND MY 533 00:12:26,046 --> 00:12:28,281 MONEY DON'T HAVE ANYTHING TO DO 534 00:12:28,281 --> 00:12:29,817 WITH THEM GROUPIE HOS. 535 00:12:29,817 --> 00:12:31,819 THIS MONEY IS FOR OUR FAMILY. 536 00:12:31,819 --> 00:12:32,719 THAT'S THE ONLY WAY I'MA AGREE 537 00:12:32,719 --> 00:12:33,386 TO IT. 538 00:12:33,386 --> 00:12:34,054 YOU KNOW THAT I GOT TO BE 539 00:12:34,054 --> 00:12:35,555 CAUTIOUS ABOUT THIS. 540 00:12:35,555 --> 00:12:36,556 THIS IS GONNA WORK. 541 00:12:36,556 --> 00:12:38,391 AND IF ALL OF THESE THINGS 542 00:12:38,391 --> 00:12:40,460 SOUNDS GOOD AND YOU REALLY ARE 543 00:12:40,460 --> 00:12:41,929 DETERMINED TO STAY IN ATLANTA 544 00:12:41,929 --> 00:12:43,596 AND BE HERE FOR YOUR FAMILY... 545 00:12:43,596 --> 00:12:44,564 THAT'S WHAT IT IS. 546 00:12:44,564 --> 00:12:47,300 THEN I'LL REALLY AND TRULY 547 00:12:47,300 --> 00:12:48,668 THINK ABOUT IT, AND I'LL LET-- 548 00:12:48,668 --> 00:12:50,270 HERE'S THE ISSUE NOW: 549 00:12:50,270 --> 00:12:52,906 WE GOT TO ACT ON THIS, LIKE, 550 00:12:52,906 --> 00:12:54,074 TODAY. 551 00:12:54,074 --> 00:12:55,275 I KNOW IT'S CRAZY FOR TRACI TO 552 00:12:55,275 --> 00:12:56,844 COME OUT OF POCKET PREMATURELY 553 00:12:56,844 --> 00:12:57,677 AND GIVE ME THIS MONEY RIGHT 554 00:12:57,677 --> 00:12:59,246 AWAY, BUT I'VE ALWAYS GIVEN HER 555 00:12:59,246 --> 00:13:00,380 MONEY BACK WHEN SHE'S INVESTED 556 00:13:00,380 --> 00:13:02,249 IN ME, AND MOST OF THE TIME, 557 00:13:02,249 --> 00:13:03,250 I'VE MADE HER MONEY, 558 00:13:03,250 --> 00:13:04,551 SO SHE SHOULD TRUST ME BY NOW 559 00:13:04,551 --> 00:13:05,318 TO GIVE ME THIS MONEY. 560 00:13:05,318 --> 00:13:08,521 I NEED A ANSWER. 561 00:13:08,521 --> 00:13:09,957 DO ONE OF THESE. 562 00:13:09,957 --> 00:13:11,491 THE HEAD BOB LIKE YOU'RE 563 00:13:11,491 --> 00:13:12,960 LISTENING TO MUSIC AND JUST SAY 564 00:13:12,960 --> 00:13:14,627 YES. 565 00:13:14,627 --> 00:13:15,863 YEAH. 566 00:13:15,863 --> 00:13:16,496 SO THE ANSWER'S YES? 567 00:13:16,496 --> 00:13:17,164 YES. 568 00:13:17,164 --> 00:13:18,031 YOU SURE? 569 00:13:18,031 --> 00:13:18,698 YOU'RE POSITIVE? 570 00:13:18,698 --> 00:13:19,366 [coughing] 571 00:13:19,366 --> 00:13:20,367 OH, YOU'RE COUGHING NOW. 572 00:13:20,367 --> 00:13:21,468 DON'T COUGH. YOU AIN'T SICK. 573 00:13:21,468 --> 00:13:22,702 YOU WANT SOME THERAFLU? 574 00:13:22,702 --> 00:13:23,871 COME HERE. COME HERE, GIRL. 575 00:13:23,871 --> 00:13:24,504 NO, I'M ALL RIGHT. 576 00:13:24,504 --> 00:13:25,505 ALL RIGHT, ALL RIGHT. 577 00:13:25,505 --> 00:13:26,506 [muffled speech] 578 00:13:26,506 --> 00:13:27,875 YES. 579 00:13:27,875 --> 00:13:28,909 GET OFF ME. 580 00:13:28,909 --> 00:13:29,609 WE BUSINESS PARTNERS. 581 00:13:29,609 --> 00:13:30,277 WE GONNA BE RICH. 582 00:13:30,277 --> 00:13:31,211 WE GONNA BE PAID. 583 00:13:31,211 --> 00:13:32,179 WHEN I PULL UP IN MY LAMBO, 584 00:13:32,179 --> 00:13:33,180 WHAT YOU PULLING UP IN? 585 00:13:33,180 --> 00:13:33,881 BYE. 586 00:13:33,881 --> 00:13:34,547 WHAT YOU PULLING UP IN? 587 00:13:34,547 --> 00:13:35,648 I'M PULLING UP IN A LAMBO. 588 00:13:35,648 --> 00:13:37,317 IT'S GONNA BE RED WITH A 589 00:13:37,317 --> 00:13:40,053 JAMAICAN FLAG ON THE ROOF. 590 00:13:40,053 --> 00:13:41,054 [mellow rock music] 591 00:13:41,054 --> 00:13:44,524 ♪ 592 00:13:44,524 --> 00:13:45,993 * YOU'RE THE SPARK ♪ 593 00:13:45,993 --> 00:13:48,795 ♪ THAT LIGHTS THE FLAME 594 00:13:48,795 --> 00:13:51,098 ♪ THAT FILLS MY HEART 595 00:13:51,098 --> 00:13:56,503 ♪ 596 00:13:56,503 --> 00:13:57,905 I BEEN SO STRESSED OUT ABOUT 597 00:13:57,905 --> 00:13:59,439 STEVIE THAT I HAVEN'T BEEN ABLE 598 00:13:59,439 --> 00:14:01,074 TO SLEEP, AND I KNOW I CAN'T 599 00:14:01,074 --> 00:14:02,309 KEEP LIVING LIKE THIS 'CAUSE I'M 600 00:14:02,309 --> 00:14:04,711 GONNA GO CRAZY. 601 00:14:04,711 --> 00:14:05,745 SO WHEN STEVIE CALLED ME AND 602 00:14:05,745 --> 00:14:07,147 ASKED ME, "CAN WE MEET UP?" 603 00:14:07,147 --> 00:14:08,548 I AGREED. 604 00:14:08,548 --> 00:14:09,616 I'M NOT REALLY SURE WHAT I'M 605 00:14:09,616 --> 00:14:11,384 GONNA SAY TO THIS MAN, BUT I 606 00:14:11,384 --> 00:14:12,619 KNOW THAT WE NEED TO TALK. 607 00:14:12,619 --> 00:14:16,789 * AND WE FIND THE ANSWER 608 00:14:16,789 --> 00:14:20,660 HOW ARE YOU, SWEETHEART? 609 00:14:20,660 --> 00:14:22,062 WHAT'S GOING ON WITH YOU? 610 00:14:22,062 --> 00:14:23,931 HI, STEVIE. 611 00:14:23,931 --> 00:14:26,934 SO HAPPY TO SEE YOU. 612 00:14:26,934 --> 00:14:28,301 I HAVEN'T SEEN JOSELINE SINCE I 613 00:14:28,301 --> 00:14:30,437 LOST HER BACKSTAGE AT THE SHOW, 614 00:14:30,437 --> 00:14:31,704 AND I KNOW SHE WASN'T TOO HAPPY 615 00:14:31,704 --> 00:14:32,472 WITH ME. 616 00:14:32,472 --> 00:14:33,941 BUT ONE THING I KNOW IS A HAPPY 617 00:14:33,941 --> 00:14:35,842 ARTIST IS A PROFITABLE ARTIST, 618 00:14:35,842 --> 00:14:37,610 SO I GOT A LITTLE PROPOSITION 619 00:14:37,610 --> 00:14:39,112 THAT MIGHT BRIGHTEN HER DAY. 620 00:14:39,112 --> 00:14:41,114 I HEAR YOU WHEN YOU SAY I'M NOT 621 00:14:41,114 --> 00:14:42,115 PUSHING YOU HARD ENOUGH, 622 00:14:42,115 --> 00:14:43,683 YOUR SINGLE'S NOT COMING OUT, 623 00:14:43,683 --> 00:14:45,218 AND I'M NOT WORKING ENOUGH FOR 624 00:14:45,218 --> 00:14:47,587 YOU, BUT THAT'S NOT TRUE. 625 00:14:47,587 --> 00:14:48,721 I BROUGHT THE CONTRACT THAT YOU 626 00:14:48,721 --> 00:14:50,123 ASKED FOR. 627 00:14:50,123 --> 00:14:52,125 I COULD EITHER GIVE YOU THIS, 628 00:14:52,125 --> 00:14:53,726 RIP IT UP, 629 00:14:53,726 --> 00:14:55,062 OR PLAY YOU THIS NEW SINGLE I 630 00:14:55,062 --> 00:14:57,497 GOT FOR YOU. 631 00:14:57,497 --> 00:14:58,665 YEAH, STEVIE, BUT YOU CAN'T 632 00:14:58,665 --> 00:15:00,968 JUST BE... 633 00:15:00,968 --> 00:15:02,970 POPPING UP ON ME, JUST ACTING 634 00:15:02,970 --> 00:15:04,771 LIKE--HOW YOU ACT. 635 00:15:04,771 --> 00:15:06,873 YOU STRESS ME OUT. 636 00:15:06,873 --> 00:15:07,540 YOU JUST DO TOO MUCH. 637 00:15:07,540 --> 00:15:08,241 I DON'T WANT TO STRESS 638 00:15:08,241 --> 00:15:08,976 YOU OUT. 639 00:15:08,976 --> 00:15:09,977 I WANT YOU HAPPY. 640 00:15:09,977 --> 00:15:11,144 YOU DON'T MAKE ME HAPPY. 641 00:15:11,144 --> 00:15:13,613 I REALLY DON'T EVEN CARE, LIKE, 642 00:15:13,613 --> 00:15:15,682 I DON'T CARE ABOUT THE SINGLE. 643 00:15:15,682 --> 00:15:16,583 [crying] I DON'T CARE ABOUT THAT 644 00:15:16,583 --> 00:15:17,817 [bleep] NO MORE, STEVIE, 'CAUSE 645 00:15:17,817 --> 00:15:19,486 YOU [bleep] STRESS ME OUT. 646 00:15:19,486 --> 00:15:20,287 I STRESS YOU OUT? 647 00:15:20,287 --> 00:15:21,421 I WANT YOU TO JUST LEAVE ME 648 00:15:21,421 --> 00:15:22,089 ALONE. 649 00:15:22,089 --> 00:15:23,323 THAT'S ALL I WANT. 650 00:15:23,323 --> 00:15:24,391 LEAVE YOU ALONE HOW? 651 00:15:24,391 --> 00:15:26,193 LIKE, NOT COME AND SEE YOU? 652 00:15:26,193 --> 00:15:27,660 NOT WORK WITH YOU? 653 00:15:27,660 --> 00:15:29,396 YOU DON'T DO THAT NO WAY. 654 00:15:29,396 --> 00:15:31,364 I GOT BUSINESSES TO RUN. 655 00:15:31,364 --> 00:15:32,199 I DON'T GIVE A [bleep] ABOUT 656 00:15:32,199 --> 00:15:33,100 NOTHING RIGHT NOW. 657 00:15:33,100 --> 00:15:34,001 SO YOU'RE SAYING YOU DON'T 658 00:15:34,001 --> 00:15:35,002 CARE ABOUT ME? 659 00:15:35,002 --> 00:15:35,735 THAT'S WHAT YOU SAYING? 660 00:15:35,735 --> 00:15:36,569 YOU DON'T CARE ABOUT ME 661 00:15:36,569 --> 00:15:37,637 'CAUSE IF YOU CARED ABOUT ME, 662 00:15:37,637 --> 00:15:38,538 YOU WOULDN'T [bleep] STRESSING 663 00:15:38,538 --> 00:15:40,107 ME OUT. 664 00:15:40,107 --> 00:15:42,509 STOP IT NOW. 665 00:15:42,509 --> 00:15:44,077 I CARE. 666 00:15:44,077 --> 00:15:45,912 I CARE IF NOBODY ELSE DO. 667 00:15:45,912 --> 00:15:46,613 I DON'T WANT TO UPSET YOU. 668 00:15:46,613 --> 00:15:47,614 I WANT TO MAKE YOU SMILE. 669 00:15:47,614 --> 00:15:49,382 IF I CAN'T DO THAT, THEN WHAT DO 670 00:15:49,382 --> 00:15:50,883 I NEED--JUST STEP AWAY? 671 00:15:50,883 --> 00:15:52,052 IF YOU GONNA STRESS ME OUT, 672 00:15:52,052 --> 00:15:53,486 YOU DOING IT, SO I ASK YOU THIS. 673 00:15:53,486 --> 00:15:54,521 I'M ASKING YOU. 674 00:15:54,521 --> 00:15:55,588 HOW DO YOU KNOW I ASK YOU 675 00:15:55,588 --> 00:15:56,556 THIS? 676 00:15:56,556 --> 00:15:57,290 YOU NOT WANT ME IN YOUR-- 677 00:15:57,290 --> 00:15:58,025 HOW--YES-- 678 00:15:58,025 --> 00:15:58,791 NO, I DON'T WANT YOU IN MY 679 00:15:58,791 --> 00:16:00,527 LIFE STRESSING ME OUT, NO. 680 00:16:00,527 --> 00:16:01,761 'CAUSE I DO HAVE FEELINGS FOR 681 00:16:01,761 --> 00:16:02,629 YOU, AND WHAT THE [bleep] DO YOU 682 00:16:02,629 --> 00:16:03,663 WANT ME TO DO? 683 00:16:03,663 --> 00:16:05,298 YOU KNOW, TRUTH BE TOLD, I NEVER 684 00:16:05,298 --> 00:16:06,733 STOPPED LOVING STEVIE. 685 00:16:06,733 --> 00:16:07,834 I JUST DON'T UNDERSTAND THAT 686 00:16:07,834 --> 00:16:09,602 AFTER I OPENED UP TO YOU, YOU 687 00:16:09,602 --> 00:16:11,171 CAN HANDLE ME WRONG AND YOU CAN 688 00:16:11,171 --> 00:16:13,073 TALK TO ME CRAZY AND YOU CAN 689 00:16:13,073 --> 00:16:14,774 CHEAT ON ME AND YOU CAN LIE TO 690 00:16:14,774 --> 00:16:17,044 ME AND YOU CAN DO WHATEVER ELSE 691 00:16:17,044 --> 00:16:18,578 THAT YOU DO TO STRESS ME OUT. 692 00:16:18,578 --> 00:16:20,647 AND I THINK THAT BECAUSE I ALLOW 693 00:16:20,647 --> 00:16:22,415 HIM TO DO THAT, IT'S LIKE, I 694 00:16:22,415 --> 00:16:24,051 LOST MYSELF. 695 00:16:24,051 --> 00:16:26,286 SO WHAT IS IT GONNA BE? 696 00:16:26,286 --> 00:16:27,754 DO YOU WANT TO LOVE ME, 697 00:16:27,754 --> 00:16:28,955 DO YOU WANT ME TO LOVE YOU BACK, 698 00:16:28,955 --> 00:16:30,157 OR DO YOU JUST WANT ME TO WORK? 699 00:16:30,157 --> 00:16:31,258 I WANT YOU TO MAKE ME HAPPY. 700 00:16:31,258 --> 00:16:32,759 AND WHAT YOU'RE SUPPOSED TO DO, 701 00:16:32,759 --> 00:16:33,926 WHAT YOU TOLD ME YOU WAS GONNA 702 00:16:33,926 --> 00:16:35,362 DO PLENTY OF TIMES-- 703 00:16:35,362 --> 00:16:36,729 I'M DOING EVERYTHING AND THEN 704 00:16:36,729 --> 00:16:37,397 SOME. 705 00:16:37,397 --> 00:16:38,498 GIVING ME MONEY, BUYING ME 706 00:16:38,498 --> 00:16:39,966 NICE THINGS DOES NOT MAKE ME 707 00:16:39,966 --> 00:16:42,202 HAPPY. 708 00:16:44,437 --> 00:16:46,839 SO YOU WANT TO SEE ME MORE? 709 00:16:46,839 --> 00:16:48,375 GO TO DINNER? 710 00:16:48,375 --> 00:16:49,076 CHEETAH CLUB? 711 00:16:49,076 --> 00:16:52,145 GRAB STEAK AND LOBSTER? 712 00:16:52,145 --> 00:16:54,214 POMEGRANATE MARTINIS? 713 00:16:54,214 --> 00:16:57,084 A FEW DANCES? 714 00:16:57,084 --> 00:16:57,850 HUH? 715 00:16:57,850 --> 00:16:59,319 STEVIE, YOU NEED TO WORK 716 00:16:59,319 --> 00:17:00,920 ON ME, 717 00:17:00,920 --> 00:17:04,824 WORK ON ME RELATIONSHIP-WISE 718 00:17:04,824 --> 00:17:05,725 AND BUSINESS-WISE. 719 00:17:05,725 --> 00:17:07,127 THAT'S WHAT YOU NEED TO WORK ON, 720 00:17:07,127 --> 00:17:08,595 BECAUSE IF NOT, I'M GONNA ALWAYS 721 00:17:08,595 --> 00:17:10,363 BE STRESSED, AND I'M NOT GONNA 722 00:17:10,363 --> 00:17:12,599 BE ANY GOOD FOR YOU OR ME OR FOR 723 00:17:12,599 --> 00:17:13,400 NOBODY. 724 00:17:13,400 --> 00:17:14,334 SO YOU DON'T WANT NO MORE 725 00:17:14,334 --> 00:17:16,369 SPACE WITH US, YOU KNOW, BACK TO 726 00:17:16,369 --> 00:17:18,105 THE WAY IT USED TO BE? 727 00:17:18,105 --> 00:17:20,107 YES. 728 00:17:22,909 --> 00:17:25,011 YOU'RE A PIECE OF WORK. 729 00:17:40,860 --> 00:17:42,395 BENZINO, HE SAY HE HAD SEX 730 00:17:42,395 --> 00:17:43,130 WITH ME. 731 00:17:43,130 --> 00:17:44,864 WHY HE LYING ON HIS BEEFCAKE? 732 00:17:44,864 --> 00:17:45,698 NOW, I DON'T KNOW WHY HE LIE. 733 00:17:45,698 --> 00:17:46,733 SO I JUST WANT TO SEE HIM AND 734 00:17:46,733 --> 00:17:47,734 HOLLER AT HIM. 735 00:17:47,734 --> 00:17:48,568 THROW SOMETHING AT HER, 736 00:17:48,568 --> 00:17:49,702 YOU WILL NOT WALK THE STREETS 737 00:17:49,702 --> 00:17:50,470 OF ATLANTA. 738 00:17:50,470 --> 00:17:52,004 [bleep] RASHEEDA. 739 00:17:52,004 --> 00:17:53,473 [bleep] YOUR WIFE. 740 00:17:53,473 --> 00:17:55,675 THAT'S ALL I CAN SAY. 741 00:18:05,385 --> 00:18:06,753 HE'S NOW HERE. 742 00:18:06,753 --> 00:18:08,855 HEY, WHAT'S UP, BOO BOO? 743 00:18:08,855 --> 00:18:09,522 I'M GOOD. 744 00:18:09,522 --> 00:18:10,723 HANGIN', HANGIN', HANGIN'. 745 00:18:10,723 --> 00:18:11,724 I SEE YOU. 746 00:18:11,724 --> 00:18:12,959 SINCE ERICA DECIDED TO PUT 747 00:18:12,959 --> 00:18:14,961 THE BRAKES ON THE RELATIONSHIP, 748 00:18:14,961 --> 00:18:15,895 I JUST THOUGHT, YOU KNOW WHAT 749 00:18:15,895 --> 00:18:17,497 I'M SAYING, I SPEED THE HELL ON 750 00:18:17,497 --> 00:18:18,665 AND GET IT THE HELL OUT THE 751 00:18:18,665 --> 00:18:20,167 HOUSE AND GET MY MIND RIGHT, SO 752 00:18:20,167 --> 00:18:21,768 I GO HOLLER AT KIRK AT THE STRIP 753 00:18:21,768 --> 00:18:22,435 CLUB, MAN. 754 00:18:22,435 --> 00:18:23,970 SEE WHAT WE FOOLS CAN GET INTO, 755 00:18:23,970 --> 00:18:24,771 YOU DIG? 756 00:18:24,771 --> 00:18:25,872 'CAUSE I NEED SOME OF THAT 757 00:18:25,872 --> 00:18:27,674 ENGAGEMENT, MARRIAGE ADVICE, YOU 758 00:18:27,674 --> 00:18:29,008 FEEL ME? 759 00:18:29,008 --> 00:18:30,510 THE WHOLE ENGAGEMENT THING IS 760 00:18:30,510 --> 00:18:32,179 JUST TRIPPING ME UP, MAN, YOU 761 00:18:32,179 --> 00:18:32,879 FEEL ME? 762 00:18:32,879 --> 00:18:34,414 NOWHERE NEAR MARRIAGE. 763 00:18:34,414 --> 00:18:36,483 WHAT YOU GOT, BUTTERFLIES? 764 00:18:36,483 --> 00:18:38,017 PUT IT LIKE THIS: 765 00:18:38,017 --> 00:18:39,186 I DONE DID EVERYTHING IN THE 766 00:18:39,186 --> 00:18:40,787 WORLD, KIRK, LIKE, TO MAKE THE 767 00:18:40,787 --> 00:18:41,688 GIRL KNOW THAT, 768 00:18:41,688 --> 00:18:43,390 LIKE, I'M AT YOU. 769 00:18:43,390 --> 00:18:45,091 I'M DOWN WITH YOU. 770 00:18:45,091 --> 00:18:46,893 AND, DUDE, 771 00:18:46,893 --> 00:18:49,196 SHE PUT A PAUSE ON IT. 772 00:18:49,196 --> 00:18:49,796 REALLY? 773 00:18:49,796 --> 00:18:52,265 SHE PUT A PAUSE ON IT. 774 00:18:52,265 --> 00:18:53,200 WHAT DID YOU DO FOR THAT TO 775 00:18:53,200 --> 00:18:53,833 HAPPEN? 776 00:18:53,833 --> 00:18:54,734 NOTHING, I SAID-- 777 00:18:54,734 --> 00:18:55,835 I WAS LIKE, "WHAT? 778 00:18:55,835 --> 00:18:56,603 WHAT IS IT?" 779 00:18:56,603 --> 00:18:58,004 SHE SAY SHE DON'T THINK THAT I 780 00:18:58,004 --> 00:19:01,408 GOT HER BACK 100%. 781 00:19:01,408 --> 00:19:03,710 SEE, THAT'S CRAZY BECAUSE, 782 00:19:03,710 --> 00:19:04,944 WHEN I DO SEE ERICA 783 00:19:04,944 --> 00:19:05,612 AND I LOOK AT 784 00:19:05,612 --> 00:19:07,214 THE GLOW ON HER FACE AND WHEN 785 00:19:07,214 --> 00:19:08,581 SHE TALK ABOUT GETTING MARRIED, 786 00:19:08,581 --> 00:19:11,551 YO, I SEE HAPPINESS FROM HERE TO 787 00:19:11,551 --> 00:19:12,219 THE MOON. 788 00:19:12,219 --> 00:19:14,221 WE COULD ASK ANYBODY, THOUGH, 789 00:19:14,221 --> 00:19:15,222 AND A GIRL GONNA BE LIKE, "OH, 790 00:19:15,222 --> 00:19:17,123 THAT'S THEY DREAM," YOU KNOW? 791 00:19:17,123 --> 00:19:18,024 "THAT'S THEY DREAM." 792 00:19:18,024 --> 00:19:18,958 SOMETHING HAD TO HAPPEN-- 793 00:19:18,958 --> 00:19:20,227 NO, 'CAUSE I DONE DID 794 00:19:20,227 --> 00:19:21,728 EVERYTHING IN THE WORLD FOR THIS 795 00:19:21,728 --> 00:19:23,463 GIRL, BUT ANY TIME MY MAMA 796 00:19:23,463 --> 00:19:25,131 DISRESPECT HER, SHE COME AT ME 797 00:19:25,131 --> 00:19:25,798 WITH IT. 798 00:19:25,798 --> 00:19:26,599 LIKE, WHAT I'M SUPPOSED TO DO 799 00:19:26,599 --> 00:19:28,301 ABOUT MY MAMA, GIRL, LIKE-- 800 00:19:28,301 --> 00:19:29,569 MOMMA DEE IS--YOU KNOW, 801 00:19:29,569 --> 00:19:30,837 THAT'S A WHOLE NOTHER-- 802 00:19:30,837 --> 00:19:31,638 YOU KNOW, I BEEN KNOWING YOUR 803 00:19:31,638 --> 00:19:32,505 MAMA FOR A WHILE, YO, I'M LIKE-- 804 00:19:32,505 --> 00:19:34,106 YEAH, BUT WHAT I'M SAYING, 805 00:19:34,106 --> 00:19:36,509 KIRK, IS, DO YOU EVEN HAVE TO 806 00:19:36,509 --> 00:19:38,010 CARE WHAT THE PARENTS THINK? 807 00:19:38,010 --> 00:19:39,045 I'MA BE HONEST WITH YOU. 808 00:19:39,045 --> 00:19:40,480 YOUR MAMA PROTECT YOU LIKE YOU 809 00:19:40,480 --> 00:19:41,681 ABOUT TEN. 810 00:19:41,681 --> 00:19:43,049 AIN'T NOTHING WRONG WITH THAT. 811 00:19:43,049 --> 00:19:44,784 I AIN'T BEING FUNNY. 812 00:19:44,784 --> 00:19:46,986 BUT Y'ALL GOT TO FIND A MUTUAL 813 00:19:46,986 --> 00:19:49,822 LINE OF GIVE AND TAKE, 50/50: 814 00:19:49,822 --> 00:19:51,724 YOU DO THIS. I DO THAT. 815 00:19:51,724 --> 00:19:54,361 YO, IT TOOK ME YEARS TO GET TO A 816 00:19:54,361 --> 00:19:55,762 POINT WHERE RASHEEDA... 817 00:19:55,762 --> 00:19:57,864 I'M CONFUSED BECAUSE SHE MADE 818 00:19:57,864 --> 00:20:00,099 ME THAT, AND IT LIKE--I WAS ALL 819 00:20:00,099 --> 00:20:01,768 INTO IT, MY SPIRIT WAS GOOD WITH 820 00:20:01,768 --> 00:20:03,370 IT, BUT THEN WHEN SHE HIT ME 821 00:20:03,370 --> 00:20:04,871 WITH STUFF LIKE SHE WANT TO PUMP 822 00:20:04,871 --> 00:20:06,839 THE BRAKES, LIKE STUFF AIN'T 823 00:20:06,839 --> 00:20:07,874 GOING ALL GOOD FOR HER. 824 00:20:07,874 --> 00:20:09,141 I KNOW IT AIN'T GOING ALL GOOD. 825 00:20:09,141 --> 00:20:11,711 WE IN THE SAME RELATIONSHIP. 826 00:20:11,711 --> 00:20:12,845 IF SHE SAID PUMP THE BRAKES, 827 00:20:12,845 --> 00:20:13,713 I'M PUMPING THE BRAKES. 828 00:20:13,713 --> 00:20:14,481 YOU FOLLOW HER LEAD. 829 00:20:14,481 --> 00:20:16,516 I'LL FOLLOW HER LEAD. 830 00:20:16,516 --> 00:20:19,352 GOD DAMN WITH YOUR FACE. 831 00:20:19,352 --> 00:20:20,152 [laughs] 832 00:20:20,152 --> 00:20:22,088 [bleep]. 833 00:20:22,088 --> 00:20:22,955 * YOU MAKE ME GO 834 00:20:22,955 --> 00:20:24,724 ♪ OOH, OOH, OOH, AH 835 00:20:24,724 --> 00:20:25,892 ♪ DO YOU THINK YOU CAN 836 00:20:25,892 --> 00:20:27,494 ♪ TOUCH ME IN MY HOT SPOT 837 00:20:27,494 --> 00:20:28,728 ♪ I WANT TO KNOW DO YOU 838 00:20:28,728 --> 00:20:30,096 ♪ WANT TO SPEND THE NIGHT 839 00:20:30,096 --> 00:20:31,598 ♪ SO WE CAN MAKE LOVE 840 00:20:31,598 --> 00:20:33,733 ♪ ON THE FLOOR 841 00:20:33,733 --> 00:20:35,468 * YES, GIRL 842 00:20:35,468 --> 00:20:37,270 ♪ WE CAN GET IT ALL NIGHT 843 00:20:37,270 --> 00:20:38,605 ♪ YES, GIRL 844 00:20:38,605 --> 00:20:41,173 ♪ I'MA MAKE YOU FEEL RIGHT ♪ 845 00:20:41,173 --> 00:20:42,041 ♪ YOU KNOW I'M GONNA ♪ 846 00:20:42,041 --> 00:20:43,443 ♪ MAKE LOVE TO YOU 847 00:20:43,443 --> 00:20:44,277 I NEEDED THAT. 848 00:20:44,277 --> 00:20:45,044 OH, PLEASE, YOU'RE NEVER 849 00:20:45,044 --> 00:20:45,712 BACKED UP. 850 00:20:45,712 --> 00:20:47,714 YOU KNOW YOU GET AROUND TOWN. 851 00:20:47,714 --> 00:20:48,715 I AIN'T BEEN DOING NOTHING 852 00:20:48,715 --> 00:20:49,582 WITHOUT YOU. 853 00:20:49,582 --> 00:20:50,983 SEXING THESE CHICKS. 854 00:20:50,983 --> 00:20:52,051 IF I WANT TO DO SOMETHING, 855 00:20:52,051 --> 00:20:52,819 I'MA DO IT WITH YOU. 856 00:20:52,819 --> 00:20:54,253 I AIN'T GOT THE-- 857 00:20:54,253 --> 00:20:55,388 IT'S BEEN LIKE THAT FROM 858 00:20:55,388 --> 00:20:56,356 DAY ONE, MAN. 859 00:20:56,356 --> 00:20:59,158 YOU SO FULL OF IT. 860 00:20:59,158 --> 00:21:00,793 YOU KNOW, STEVIE AND I, WE DOING 861 00:21:00,793 --> 00:21:02,729 PRETTY COOL IN OUR RELATIONSHIP, 862 00:21:02,729 --> 00:21:04,331 BUT I STILL GOT TO LET HIM KNOW 863 00:21:04,331 --> 00:21:06,333 THE FACT THAT HIS HOMEBOY 864 00:21:06,333 --> 00:21:08,000 BENZINO IS GOING AROUND SAYING 865 00:21:08,000 --> 00:21:09,235 THAT WE HAD SEX. 866 00:21:09,235 --> 00:21:10,102 THAT AIN'T RIGHT, AND STEVIE 867 00:21:10,102 --> 00:21:10,937 NEEDS TO KNOW. 868 00:21:10,937 --> 00:21:12,104 MAN, I GOT TO TELL YOU ABOUT 869 00:21:12,104 --> 00:21:12,839 [bleep]-ASS. 870 00:21:12,839 --> 00:21:13,973 KARLIE-- 871 00:21:13,973 --> 00:21:14,741 WHAT? 872 00:21:14,741 --> 00:21:15,742 YOU KNOW, I CALLED HER TO 873 00:21:15,742 --> 00:21:17,176 KIND OF, LIKE, "WHAT YOU BEEN 874 00:21:17,176 --> 00:21:17,944 DOING," YOU KNOW? 875 00:21:17,944 --> 00:21:19,379 "I HAVEN'T SEEN YOU." 876 00:21:19,379 --> 00:21:21,881 SHE GOES, "OH, YOU KNOW, BENZINO 877 00:21:21,881 --> 00:21:24,851 IS SHOWING ME THE VIDEO THAT YOU 878 00:21:24,851 --> 00:21:27,820 HAD ONLINE PLAYING WITH YOUR 879 00:21:27,820 --> 00:21:29,656 KITTY CAT, AND WHILE HE WAS 880 00:21:29,656 --> 00:21:31,758 SHOWING ME THE VIDEO, HE SAY HE 881 00:21:31,758 --> 00:21:33,360 HAD SEX WITH YOU." 882 00:21:33,360 --> 00:21:34,727 HE SAID--HE SAID HE HAD SEX 883 00:21:34,727 --> 00:21:35,395 WITH YOU? 884 00:21:35,395 --> 00:21:36,663 YES, HAD SEX WITH ME. 885 00:21:36,663 --> 00:21:37,364 AND I'M LIKE-- 886 00:21:37,364 --> 00:21:38,931 WHY HE LYING ON HIS BEEFCAKE? 887 00:21:38,931 --> 00:21:40,132 GIRLS DON'T LIKE THAT, YOU KNOW 888 00:21:40,132 --> 00:21:40,800 WHAT I'M SAYING? 889 00:21:40,800 --> 00:21:41,568 WELL, I MEAN, I DON'T KNOW 890 00:21:41,568 --> 00:21:43,536 WHY HE LIE, BUT I DO KNOW 891 00:21:43,536 --> 00:21:44,203 ONE THING-- 892 00:21:44,203 --> 00:21:45,037 CAN'T KISS AND TELL EITHER. 893 00:21:45,037 --> 00:21:46,406 IF HE DID, WHY WOULD HE-- 894 00:21:46,406 --> 00:21:47,574 BUT IF HE DID, I WOULD HAVE 895 00:21:47,574 --> 00:21:48,608 TOLD HER MYSELF. 896 00:21:48,608 --> 00:21:50,009 WHY WOULD I EVEN WAIT? 897 00:21:50,009 --> 00:21:50,677 YEAH. 898 00:21:50,677 --> 00:21:51,744 JOSELINE AND I ARE REAL OPEN 899 00:21:51,744 --> 00:21:53,513 ABOUT OUR SEXUALITY, SO I KNOW 900 00:21:53,513 --> 00:21:55,181 SHE WOULD HAVE TOLD ME IF SHE 901 00:21:55,181 --> 00:21:56,416 GAVE Z SOME [bleep]. 902 00:21:56,416 --> 00:21:57,550 EVEN THOUGH I CAN'T EVEN IMAGINE 903 00:21:57,550 --> 00:21:59,051 MY MAN SMASHING THAT AFTER ALL 904 00:21:59,051 --> 00:22:00,587 WE BEEN THROUGH, BUT STILL AND 905 00:22:00,587 --> 00:22:01,921 ALL, SOMETHING SMELLING REAL 906 00:22:01,921 --> 00:22:02,655 FISHY. 907 00:22:02,655 --> 00:22:04,023 KARLIE REDD IS ALWAYS GONNA 908 00:22:04,023 --> 00:22:05,392 LIE, BUT WE DON'T KNOW IF SHE 909 00:22:05,392 --> 00:22:06,058 LYING RIGHT NOW. 910 00:22:06,058 --> 00:22:08,828 SHE MIGHT BE TELLING THE TRUTH, 911 00:22:08,828 --> 00:22:09,829 SO I JUST WANT TO SEE HIM AND 912 00:22:09,829 --> 00:22:10,697 HOLLER AT HIM, YOU KNOW WHAT 913 00:22:10,697 --> 00:22:11,398 I'M SAYING? 914 00:22:11,398 --> 00:22:12,164 FIRST OF ALL, BITCH, IF YOU 915 00:22:12,164 --> 00:22:14,200 LYING, I'MA SLAP YOUR ASS. 916 00:22:14,200 --> 00:22:15,602 IF KARLIE AIN'T LYING, SOME 917 00:22:15,602 --> 00:22:16,403 ISSUES, YOU KNOW WHAT 918 00:22:16,403 --> 00:22:17,203 I'M SAYING? 919 00:22:17,203 --> 00:22:19,506 AND JUST FOR THE LINE THAT'S 920 00:22:19,506 --> 00:22:20,673 BEING CROSSED IF IT'S TRUE, I 921 00:22:20,673 --> 00:22:23,209 CAN'T [bleep] WITH DUDE EITHER. 922 00:22:23,209 --> 00:22:23,876 YEAH, I DON'T KNOW. 923 00:22:23,876 --> 00:22:24,744 I DON'T KNOW WHO'S TELLING THE 924 00:22:24,744 --> 00:22:25,412 TRUTH. 925 00:22:25,412 --> 00:22:26,245 LET'S JUST GET TO THE BOTTOM 926 00:22:26,245 --> 00:22:26,913 OF IT. 927 00:22:26,913 --> 00:22:27,780 I DON'T KNOW WHO'S TELLING 928 00:22:27,780 --> 00:22:28,615 THE TRUTH, BUT WE NEED TO KNOW. 929 00:22:28,615 --> 00:22:29,416 I DON'T EVEN WANT TO TALK 930 00:22:29,416 --> 00:22:30,049 ABOUT THAT NO MORE. 931 00:22:30,049 --> 00:22:30,783 I WANT TO HAVE A DRINK, AND I 932 00:22:30,783 --> 00:22:31,451 WANT TO GET BACK 933 00:22:31,451 --> 00:22:32,952 TO WHAT WE WERE STARTING. 934 00:22:32,952 --> 00:22:34,086 GRAB THAT ASS. 935 00:22:34,086 --> 00:22:37,123 [laughing] 936 00:22:41,994 --> 00:22:43,295 AFTER RASHEEDA TOLD ME THAT 937 00:22:43,295 --> 00:22:44,631 K.MICHELLE THREW A BURNING 938 00:22:44,631 --> 00:22:46,699 CANDLE AT HER, I FEEL LIKE SHE'S 939 00:22:46,699 --> 00:22:48,768 CROSSED THE LINE, SO I FIGURED 940 00:22:48,768 --> 00:22:50,036 I'D MAKE A SURPRISE VISIT AND 941 00:22:50,036 --> 00:22:51,871 DROP IN ON HER AT THE STUDIO 942 00:22:51,871 --> 00:22:53,072 'CAUSE SHE NEED TO KNOW SHE 943 00:22:53,072 --> 00:22:54,206 CAN'T BE [bleep] WITH RASHEEDA 944 00:22:54,206 --> 00:22:56,676 LIKE THIS EVER AGAIN. 945 00:22:56,676 --> 00:22:57,810 HELLO, PIANOIST. 946 00:22:57,810 --> 00:23:00,079 OH, HELLO. 947 00:23:00,079 --> 00:23:01,848 WHAT ARE YOU DOING HERE? 948 00:23:01,848 --> 00:23:03,450 I WANTED TO TALK TO YOU. 949 00:23:03,450 --> 00:23:04,283 YOU KNOW, RASHEEDA CAME BACK AND 950 00:23:04,283 --> 00:23:07,219 SAID YOU THREW A GLASS CANDLE AT 951 00:23:07,219 --> 00:23:09,188 HER FACE WITH HOT WAX. 952 00:23:09,188 --> 00:23:11,290 WHEN YOU BEGIN TO PICK UP STUFF 953 00:23:11,290 --> 00:23:13,460 THAT CAN POTENTIALLY CUT YOU IN 954 00:23:13,460 --> 00:23:16,028 YOUR FACE, TAKE A EYE OUT, BLIND 955 00:23:16,028 --> 00:23:17,196 YOU, I MEAN, FOR REAL, FOR REAL, 956 00:23:17,196 --> 00:23:18,498 THAT RIGHT THERE MADE ME SAY, 957 00:23:18,498 --> 00:23:20,032 "OKAY, THIS IS-- 958 00:23:20,032 --> 00:23:21,233 THIS IS SERIOUS. 959 00:23:21,233 --> 00:23:22,535 THIS IS GOING A LITTLE TOO FAR." 960 00:23:22,535 --> 00:23:23,936 BUT YOU GOT TO UNDERSTAND, 961 00:23:23,936 --> 00:23:26,105 PEOPLE CAN NEVER COMMENT ON WHAT 962 00:23:26,105 --> 00:23:27,373 ANOTHER PERSON BEEN THROUGH. 963 00:23:27,373 --> 00:23:28,074 BUT YOU CAN'T LET-- 964 00:23:28,074 --> 00:23:28,841 YOU KNOW WHAT I'M SAYING? 965 00:23:28,841 --> 00:23:30,477 I OPENED UP TO THAT GIRL. 966 00:23:30,477 --> 00:23:31,911 I NEVER WANTED TO DO NOTHING TO 967 00:23:31,911 --> 00:23:32,879 RASHEEDA, YOU KNOW WHAT 968 00:23:32,879 --> 00:23:33,546 I'M SAYING? 969 00:23:33,546 --> 00:23:35,848 I LIKED RASHEEDA AS A PERSON, SO 970 00:23:35,848 --> 00:23:37,484 THAT'S WHAT PUZZLES ME. 971 00:23:37,484 --> 00:23:39,586 WHEN I POP OFF AFTER SHE TAKE 972 00:23:39,586 --> 00:23:41,954 THE FIRST SHOTS, THEN I'M 973 00:23:41,954 --> 00:23:44,123 SUPPOSED TO BE, LIKE... 974 00:23:44,123 --> 00:23:45,091 REMORSEFUL. 975 00:23:45,091 --> 00:23:47,226 OKAY, HURTING RASHEEDA, 976 00:23:47,226 --> 00:23:48,661 THAT CAN'T HAPPEN. 977 00:23:48,661 --> 00:23:49,496 THROWING A BOTTLE, THROWING A 978 00:23:49,496 --> 00:23:50,162 GLASS-- 979 00:23:50,162 --> 00:23:50,963 I'MA THROW WHATEVER I WANT 980 00:23:50,963 --> 00:23:51,798 TO THROW! 981 00:23:51,798 --> 00:23:53,332 OKAY, I'M JUST TELLING YOU-- 982 00:23:53,332 --> 00:23:54,000 WHAT YOU GONNA DO? 983 00:23:54,000 --> 00:23:54,667 I GOT GOONS TOO! 984 00:23:54,667 --> 00:23:55,334 WHAT YOU MEAN? 985 00:23:55,334 --> 00:23:56,235 THIS IS NOT ABOUT GOONS. 986 00:23:56,235 --> 00:23:56,903 I DON'T NEED NO GOONS. 987 00:23:56,903 --> 00:23:57,604 YOU CAN'T COME IN HERE 988 00:23:57,604 --> 00:23:58,337 THREATENING ME! 989 00:23:58,337 --> 00:23:59,672 "IT AIN'T GONNA HAPPEN." 990 00:23:59,672 --> 00:24:00,607 WHAT THE [bleep] YOU MEAN, 991 00:24:00,607 --> 00:24:01,674 "IT AIN'T GONNA HAPPEN"? 992 00:24:01,674 --> 00:24:03,375 FIRST, I DIDN'T EVEN KNOW KIRK 993 00:24:03,375 --> 00:24:04,511 HAD BALLS, YOU KNOW WHAT I'M 994 00:24:04,511 --> 00:24:05,745 SAYING, 'CAUSE HE CAME IN THERE 995 00:24:05,745 --> 00:24:07,379 WITH HIS LEE PRESS-ON NAILS 996 00:24:07,379 --> 00:24:09,248 P.M.S.'ING TO ME. 997 00:24:09,248 --> 00:24:10,517 THE ONLY PEOPLE THAT ARE SCARED 998 00:24:10,517 --> 00:24:12,051 OF YOU, KIRK, ARE THE CABBAGE 999 00:24:12,051 --> 00:24:13,085 PATCH KIDS. 1000 00:24:13,085 --> 00:24:14,621 [bleep] RASHEEDA! 1001 00:24:14,621 --> 00:24:16,188 [bleep] YOUR WIFE! 1002 00:24:16,188 --> 00:24:17,524 THAT'S ALL I CAN SAY! 1003 00:24:17,524 --> 00:24:21,060 [bleep] YOUR WIFE! 1004 00:24:21,060 --> 00:24:22,228 THERE'S NOTHING TO SAY! 1005 00:24:22,228 --> 00:24:23,429 YOU AND RASHEEDA LESBIAN 1006 00:24:23,429 --> 00:24:24,096 RELATIONSHIP-- 1007 00:24:24,096 --> 00:24:25,231 Y'ALL CAN KEEP THAT [bleep]. 1008 00:24:25,231 --> 00:24:25,898 YOU SHOULDN'T EVEN 1009 00:24:25,898 --> 00:24:26,566 BEEN UP IN HERE. 1010 00:24:26,566 --> 00:24:27,233 NO WAY. 1011 00:24:27,233 --> 00:24:27,900 CAN YOU PLEASE EXIT THE 1012 00:24:27,900 --> 00:24:28,601 BUILDING? 1013 00:24:28,601 --> 00:24:29,268 FIRST OF ALL-- 1014 00:24:29,268 --> 00:24:29,936 CAN YOU PLEASE-- 1015 00:24:29,936 --> 00:24:31,270 NO, YOU SAID LESBIANS-- 1016 00:24:31,270 --> 00:24:33,105 [bleep] LESBIAN [bleep] 1017 00:24:33,105 --> 00:24:34,140 WITH YOUR TUTU, TUTU, TUTU. 1018 00:24:34,140 --> 00:24:34,941 I KNOW ABOUT YOU AND YOUR 1019 00:24:34,941 --> 00:24:36,208 RELATIONSHIPS AND YOU AND YOUR 1020 00:24:36,208 --> 00:24:37,143 PEOPLE. 1021 00:24:37,143 --> 00:24:37,810 I'MA SAY IT ONE TIME. 1022 00:24:37,810 --> 00:24:38,578 GO AWAY! 1023 00:24:38,578 --> 00:24:39,345 THROW ANOTHER THING AT 1024 00:24:39,345 --> 00:24:42,014 RASHEEDA, YOU WILL NOT WALK THE 1025 00:24:42,014 --> 00:24:43,550 STREETS--AND THIS A THREAT. 1026 00:24:43,550 --> 00:24:44,416 OH, MY GOD. WE'RE SO SCARED! 1027 00:24:44,416 --> 00:24:45,685 TOUCH RASHEEDA, 1028 00:24:45,685 --> 00:24:46,385 THROW SOMETHING AT HER, 1029 00:24:46,385 --> 00:24:47,419 YOU WILL NOT WALK THE STREETS 1030 00:24:47,419 --> 00:24:48,087 OF ATLANTA. 1031 00:24:48,087 --> 00:24:49,055 I DON'T KNOW NO MAN THAT 1032 00:24:49,055 --> 00:24:50,289 WALKS AROUND LOOKING LIKE A 1033 00:24:50,289 --> 00:24:52,158 CLAIRE'S JEWELRY BOUTIQUE. 1034 00:24:52,158 --> 00:24:53,059 WHO WOULD BE SCARED OF KIRK, 1035 00:24:53,059 --> 00:24:53,993 PERIOD? 1036 00:24:53,993 --> 00:24:55,562 HE PROBABLY HAS A PERIOD. 1037 00:24:55,562 --> 00:24:57,730 I RESPECT YOU AND YOUR TUTU! 1038 00:24:57,730 --> 00:24:58,865 [playing piano] 1039 00:24:58,865 --> 00:25:00,332 DO WHAT YOU WANT. 1040 00:25:00,332 --> 00:25:02,401 DO IT AGAIN, WE GOT A PROBLEM. 1041 00:25:02,401 --> 00:25:04,303 * RASHEEDA GOT BAGS 1042 00:25:04,303 --> 00:25:05,471 ♪ HER MAN 1043 00:25:05,471 --> 00:25:06,706 YOU LIKE [bleep] 1044 00:25:06,706 --> 00:25:08,074 ALL OVER YOUR FACE 1045 00:25:08,074 --> 00:25:09,108 FROM THE WHOLE INDUSTRY? 1046 00:25:09,108 --> 00:25:10,309 * I DON'T CARE WHAT HE SAID ♪ 1047 00:25:10,309 --> 00:25:10,977 THE LIST IS SO LONG. 1048 00:25:10,977 --> 00:25:13,012 COME ON, LITTLE BOY. 1049 00:25:13,012 --> 00:25:14,981 YOU ARE A LITTLE GIRL. 1050 00:25:14,981 --> 00:25:16,415 TUTU. 1051 00:25:16,415 --> 00:25:18,317 HE WEARS TUTUS. 1052 00:25:18,317 --> 00:25:19,451 OH, MY GOD. 1053 00:25:19,451 --> 00:25:22,454 GET THE [bleep] OUT OF HERE. 1054 00:25:22,454 --> 00:25:24,456 ♪ RASHEEDA GOT BAGS 1055 00:25:24,456 --> 00:25:26,659 ♪ HER HUSBAND A GIRL 1056 00:25:26,659 --> 00:25:28,995 ♪ HER CAREER IS OVER 1057 00:25:28,995 --> 00:25:31,130 ♪ ALL OVER THE WORLD 1058 00:25:31,130 --> 00:25:33,966 [laughing] 1059 00:25:33,966 --> 00:25:35,968 ♪ BAG LADY 1060 00:25:35,968 --> 00:25:38,104 ♪ SHE'S A PRUNE ♪ 1061 00:25:38,104 --> 00:25:43,342 ♪ GET HER HUSBAND OUT THE ROOM 1062 00:25:43,342 --> 00:25:46,412 ♪ OUT OF THE ROOM 1063 00:25:46,412 --> 00:25:47,413 ♪ YEAH 1064 00:25:47,413 --> 00:25:51,450 ♪ 1065 00:25:51,450 --> 00:25:52,752 YOU DIDN'T TELL KARLIE REDD 1066 00:25:52,752 --> 00:25:54,186 THAT YOU HAD SEX WITH ME? 1067 00:25:54,186 --> 00:25:54,954 I DON'T GIVE A [bleep] IF 1068 00:25:54,954 --> 00:25:55,988 THAT'S HOW YOU [bleep]! 1069 00:25:55,988 --> 00:25:56,856 YOU GONNA TAKE THIS [bleep], 1070 00:25:56,856 --> 00:25:57,624 OR WHAT? 1071 00:25:57,624 --> 00:25:58,390 YOU REALLY WOULD SACRIFICE 1072 00:25:58,390 --> 00:26:00,226 FRIENDSHIPS OVER HER? 1073 00:26:00,226 --> 00:26:00,893 I DIDN'T [bleep] HER. 1074 00:26:00,893 --> 00:26:01,728 I DIDN'T TRY TO [bleep] HER. 1075 00:26:01,728 --> 00:26:03,730 THAT'S IT. 1076 00:26:18,310 --> 00:26:19,245 WHEN JOSELINE TOLD ME THAT 1077 00:26:19,245 --> 00:26:21,013 ZINO SAID HE [bleep] HER, I WAS 1078 00:26:21,013 --> 00:26:22,882 KIND OF MESSED UP ABOUT IT, SO I 1079 00:26:22,882 --> 00:26:23,783 WANTED TO TAKE A TRIP TO THE 1080 00:26:23,783 --> 00:26:24,851 OFFICE TO SEE WHAT THE REAL 1081 00:26:24,851 --> 00:26:26,085 DEAL WAS. 1082 00:26:26,085 --> 00:26:27,720 Z, WHAT'S GOOD, BABY? 1083 00:26:27,720 --> 00:26:28,420 WORD. 1084 00:26:28,420 --> 00:26:29,388 WE'VE BEEN FRIENDS FOR, LIKE, 1085 00:26:29,388 --> 00:26:30,489 EIGHT YEARS, SO I GOT TO GIVE 1086 00:26:30,489 --> 00:26:32,024 HIM THE BENEFIT OF THE DOUBT. 1087 00:26:32,024 --> 00:26:33,492 BUT IF IT'S TRUE, THERE'S GONNA 1088 00:26:33,492 --> 00:26:34,526 BE PROBLEMS. 1089 00:26:34,526 --> 00:26:36,262 SHE OVER HERE SAYING THAT KARLIE 1090 00:26:36,262 --> 00:26:37,296 REDD TOLD HER THAT YOU 1091 00:26:37,296 --> 00:26:38,164 SMASHED HER. 1092 00:26:38,164 --> 00:26:38,831 WORD? 1093 00:26:38,831 --> 00:26:39,666 WHY WOULD YOU EVEN SAY THAT 1094 00:26:39,666 --> 00:26:40,299 ABOUT ME? 1095 00:26:40,299 --> 00:26:41,033 WHY I WOULD SAY THAT? 1096 00:26:41,033 --> 00:26:41,801 THAT'S WHAT SHE TOLD ME. 1097 00:26:41,801 --> 00:26:42,935 SHE SAID THAT YOU GUYS WAS 1098 00:26:42,935 --> 00:26:44,436 WATCHING THE TAPE OF ME PLAYING 1099 00:26:44,436 --> 00:26:46,205 WITH MYSELF, AND SHE SAID THAT 1100 00:26:46,205 --> 00:26:47,539 YOU TOLD HER THAT YOU 1101 00:26:47,539 --> 00:26:48,207 SMASHED ME. 1102 00:26:48,207 --> 00:26:49,408 OH, MAN, WE GOT TOO MUCH 1103 00:26:49,408 --> 00:26:50,509 HISTORY TO BE TALKING "HE SAID, 1104 00:26:50,509 --> 00:26:51,177 SHE SAID." 1105 00:26:51,177 --> 00:26:52,244 THAT'S EXACTLY WHAT STEVIE 1106 00:26:52,244 --> 00:26:53,479 SAID, BUT AT THE SAME TIME-- 1107 00:26:53,479 --> 00:26:54,346 I DON'T KNOW HOW MUCH HISTORY 1108 00:26:54,346 --> 00:26:55,481 WE GOT WITH KARLIE, BUT-- 1109 00:26:55,481 --> 00:26:56,683 SO YOU DIDN'T TELL KARLIE 1110 00:26:56,683 --> 00:26:57,984 REDD THAT YOU HAD SEX WITH ME? 1111 00:26:57,984 --> 00:26:59,285 I'M NOT GONNA SIT HERE AND 1112 00:26:59,285 --> 00:27:01,353 ENTERTAIN NO DUMB [bleep]. 1113 00:27:01,353 --> 00:27:02,521 IT'S NOT ENTERTAINMENT. 1114 00:27:02,521 --> 00:27:03,756 I DON'T GIVE A [bleep]. 1115 00:27:03,756 --> 00:27:04,924 WHY TEXTING [bleep] AT 5:00 1116 00:27:04,924 --> 00:27:05,591 IN THE MORNING? 1117 00:27:05,591 --> 00:27:06,959 IT WASN'T. IT WAS LIKE 7:00. 1118 00:27:06,959 --> 00:27:07,694 GROW THE [bleep] UP! 1119 00:27:07,694 --> 00:27:08,695 YOU'RE A OLD-ASS MAN! 1120 00:27:08,695 --> 00:27:09,829 GROW THE [bleep] UP AND TALK! 1121 00:27:09,829 --> 00:27:10,496 OH, MAN. 1122 00:27:10,496 --> 00:27:11,463 TALK LIKE A MAN! 1123 00:27:11,463 --> 00:27:13,199 JOSELINE. JOSELINE. JOSELINE. 1124 00:27:13,199 --> 00:27:14,066 I DON'T GIVE A [bleep]. 1125 00:27:14,066 --> 00:27:15,201 I'LL TELL YOU [bleep]. 1126 00:27:15,201 --> 00:27:16,402 I DON'T GOT TO TELL YOU [bleep]! 1127 00:27:16,402 --> 00:27:17,236 YOU GONNA TAKE THIS [bleep] 1128 00:27:17,236 --> 00:27:17,904 OR WHAT? 1129 00:27:17,904 --> 00:27:19,872 BENZINO'S FULL OF [bleep]. 1130 00:27:19,872 --> 00:27:20,907 HE HIT ME UP THE OTHER DAY ON 1131 00:27:20,907 --> 00:27:22,875 TWITTER, D.M., AT 6:00 IN THE 1132 00:27:22,875 --> 00:27:25,778 MORNING TWICE TRYING TO [bleep]. 1133 00:27:25,778 --> 00:27:27,546 HE CAN DENY IT ALL HE WANT TO 1134 00:27:27,546 --> 00:27:28,715 'CAUSE I GOT THE PROOF TO 1135 00:27:28,715 --> 00:27:29,716 SHOW IT. 1136 00:27:29,716 --> 00:27:31,050 6:00 IN THE MORNING. 1137 00:27:31,050 --> 00:27:31,851 WHERE? LET ME SEE. 1138 00:27:31,851 --> 00:27:32,719 LET ME SEE. 1139 00:27:32,719 --> 00:27:34,120 AND WHAT DID I SAY? 1140 00:27:34,120 --> 00:27:35,221 "HEY." 1141 00:27:35,221 --> 00:27:35,888 READ THIS. 1142 00:27:35,888 --> 00:27:37,589 YEAH, OKAY, AND? 1143 00:27:37,589 --> 00:27:38,490 WHAT THE [bleep] IS THAT? 1144 00:27:38,490 --> 00:27:39,992 THEN DON'T LIE ABOUT IT. 1145 00:27:39,992 --> 00:27:41,193 I TOLD YOU I'D MOTHER[bleep] 1146 00:27:41,193 --> 00:27:41,861 TEXT YOU. 1147 00:27:41,861 --> 00:27:42,528 I TOLD YOU I TEXT YOU. 1148 00:27:42,528 --> 00:27:43,562 DON'T LIE ABOUT IT. 1149 00:27:43,562 --> 00:27:45,998 YOU CAN'T BELIEVE ME? 1150 00:27:45,998 --> 00:27:47,366 THAT MEAN NOTHING. 1151 00:27:47,366 --> 00:27:48,034 YOU'RE A LIAR. 1152 00:27:48,034 --> 00:27:49,068 I DON'T WANT--STEVIE, I DON'T 1153 00:27:49,068 --> 00:27:50,469 WANT TO NO LONGER TALK TO HIM. 1154 00:27:50,469 --> 00:27:51,537 ARE YOU-- 1155 00:27:51,537 --> 00:27:52,939 ARE YOU [bleep]-- 1156 00:27:52,939 --> 00:27:53,806 I DON'T WANT TO TALK TO HIM. 1157 00:27:53,806 --> 00:27:54,606 I'M A LIAR? 1158 00:27:54,606 --> 00:27:56,275 I TEXTED JOSELINE BECAUSE WE HAD 1159 00:27:56,275 --> 00:27:57,944 SOME BUSINESS TO TAKE CARE OF, 1160 00:27:57,944 --> 00:27:58,745 NOT BECAUSE I WAS TRYING TO 1161 00:27:58,745 --> 00:27:59,746 HOLLER AT HER. 1162 00:27:59,746 --> 00:28:01,914 IT WAS A MONEY-MAKING SITUATION, 1163 00:28:01,914 --> 00:28:04,283 SO FOR STEVIE TO LET HER STAND 1164 00:28:04,283 --> 00:28:06,753 OVER HERE AND THROW DARTS ME IS 1165 00:28:06,753 --> 00:28:07,754 MIND-BOGGLING. 1166 00:28:07,754 --> 00:28:08,354 WHAT ARE YOU DOING? 1167 00:28:08,354 --> 00:28:09,055 WHAT YOU MEAN, WHAT AM I 1168 00:28:09,055 --> 00:28:09,756 DOING? 1169 00:28:09,756 --> 00:28:10,389 WE GOT HISTORY. 1170 00:28:10,389 --> 00:28:11,090 WHAT ARE YOU DOING THERE? 1171 00:28:11,090 --> 00:28:11,824 I DON'T UNDERSTAND WHAT 1172 00:28:11,824 --> 00:28:12,491 YOU'RE SAYING. 1173 00:28:12,491 --> 00:28:13,159 YOU COME IN WITH HER, 1174 00:28:13,159 --> 00:28:14,460 RIGHT, AT MY PLACE OF BUSINESS 1175 00:28:14,460 --> 00:28:15,361 TO TALK ABOUT WHAT KARLIE REDD 1176 00:28:15,361 --> 00:28:16,763 SAID, RIGHT? 1177 00:28:16,763 --> 00:28:17,764 TO IRON IT OUT. 1178 00:28:17,764 --> 00:28:18,564 NO, NO, THIS AIN'T IRONING 1179 00:28:18,564 --> 00:28:19,631 IT OUT. 1180 00:28:19,631 --> 00:28:21,400 OH, NO, THIS ISN'T IRONING. 1181 00:28:21,400 --> 00:28:22,301 THIS AIN'T AN IRON. 1182 00:28:22,301 --> 00:28:23,635 NO, SHE CAN'T IRON NOTHING 1183 00:28:23,635 --> 00:28:24,670 'CAUSE ALL SHE DOES IT THIS-- 1184 00:28:24,670 --> 00:28:25,571 YOU'RE MAD 'CAUSE I DON'T 1185 00:28:25,571 --> 00:28:26,238 [bleep] YOU. 1186 00:28:26,238 --> 00:28:27,106 I NEVER TRIED TO [bleep] HER. 1187 00:28:27,106 --> 00:28:28,340 YES, YOU DID. 1188 00:28:28,340 --> 00:28:29,175 BABY, YOU DIDN'T EVEN READ THE 1189 00:28:29,175 --> 00:28:29,842 MESSAGE. 1190 00:28:29,842 --> 00:28:30,642 WHY WOULD I WANT TO [bleep] 1191 00:28:30,642 --> 00:28:31,410 WITH A PROSTITUTE FOR? 1192 00:28:31,410 --> 00:28:32,278 WELL, THAT'S WHAT SHE WAS, 1193 00:28:32,278 --> 00:28:32,945 BUT NOW-- 1194 00:28:32,945 --> 00:28:33,645 OH, YOU WANT TO [bleep] 1195 00:28:33,645 --> 00:28:34,881 WITH ME. 1196 00:28:34,881 --> 00:28:36,415 WHY? 1197 00:28:36,415 --> 00:28:39,351 [all shouting] 1198 00:28:39,351 --> 00:28:40,152 YOU DON'T LOOK ALL THAT, 1199 00:28:40,152 --> 00:28:40,820 JOSELINE. 1200 00:28:40,820 --> 00:28:42,054 WHY YOU TEXTING ME SO EARLY? 1201 00:28:42,054 --> 00:28:42,855 YOU'RE NOT ALL THAT. 1202 00:28:42,855 --> 00:28:44,023 I'M DONE TALKING. 1203 00:28:44,023 --> 00:28:44,690 [sighs] 1204 00:28:44,690 --> 00:28:45,624 LET'S GO 'CAUSE I AIN'T GOT 1205 00:28:45,624 --> 00:28:46,292 TIME FOR THIS. 1206 00:28:46,292 --> 00:28:46,959 ADIOS. 1207 00:28:46,959 --> 00:28:47,860 I MIGHT GET A BUG. 1208 00:28:47,860 --> 00:28:48,660 YOU'VE ALREADY CAUGHT IT. 1209 00:28:48,660 --> 00:28:50,062 UGH, HATER. 1210 00:28:50,062 --> 00:28:51,097 I'M NOT A HATER. 1211 00:28:51,097 --> 00:28:51,798 TRUTH'S THE TRUTH! 1212 00:28:51,798 --> 00:28:52,431 HE'S A HATER. 1213 00:28:52,431 --> 00:28:53,099 BYE, BITCH! 1214 00:28:53,099 --> 00:28:53,800 TRUTH IS TRUTH. 1215 00:28:53,800 --> 00:28:54,566 BYE, BITCH. 1216 00:28:54,566 --> 00:28:56,235 I'LL BE THAT, YOU ESCORT. 1217 00:28:56,235 --> 00:28:57,036 I DON'T KNOW WHAT TO DO 1218 00:28:57,036 --> 00:28:57,804 RIGHT NOW. 1219 00:28:57,804 --> 00:28:58,971 MY GIRL IS IN THE CAR MAD AS 1220 00:28:58,971 --> 00:28:59,638 HELL. 1221 00:28:59,638 --> 00:29:01,240 ZINO'S MY BROTHER. 1222 00:29:01,240 --> 00:29:02,208 AND I KNOW THEY SAY BROS BEFORE 1223 00:29:02,208 --> 00:29:04,210 HOS, BUT RIGHT NOW, I DON'T 1224 00:29:04,210 --> 00:29:05,644 BELIEVE MY BRO TOO MUCH. 1225 00:29:05,644 --> 00:29:06,512 NOW, Y'ALL CAN ARGUE ALL DAY, 1226 00:29:06,512 --> 00:29:08,214 BUT I CAME TO TALK TO YOU. 1227 00:29:08,214 --> 00:29:09,015 WE GOT HISTORY, YOU KNOW WHAT 1228 00:29:09,015 --> 00:29:09,681 I'M SAYING? 1229 00:29:09,681 --> 00:29:10,983 AND THEN [bleep] HER AT THIS 1230 00:29:10,983 --> 00:29:11,650 POINT. 1231 00:29:11,650 --> 00:29:12,318 IT'S ABOUT WHAT WE-- 1232 00:29:12,318 --> 00:29:13,319 [bleep] HER AT THIS POINT. 1233 00:29:13,319 --> 00:29:13,986 [bleep] HER. 1234 00:29:13,986 --> 00:29:15,287 YOUR GIRL CALLING ME BITCH, 1235 00:29:15,287 --> 00:29:16,188 GRANDPA, AND EVERYTHING IS-- 1236 00:29:16,188 --> 00:29:17,356 Y'ALL BACK AND FORTH. 1237 00:29:17,356 --> 00:29:18,858 YOU'RE A PROSTITUTE, BITCH, 1238 00:29:18,858 --> 00:29:20,459 ESCORT, THIS, THAT, Y'ALL BOTH. 1239 00:29:20,459 --> 00:29:21,460 YOU THINK I WOULD HAVE 1240 00:29:21,460 --> 00:29:22,694 SOMEBODY HERE WITH ME CALLING 1241 00:29:22,694 --> 00:29:23,830 YOU NAMES AND ALL THAT? 1242 00:29:23,830 --> 00:29:25,464 I CAN'T CONTROL HER MOUTH. 1243 00:29:25,464 --> 00:29:26,165 YOU CAN'T CONTROL HER? 1244 00:29:26,165 --> 00:29:26,966 I DON'T CONTROL HER MOUTH. 1245 00:29:26,966 --> 00:29:27,834 IF YOU CAN'T CONTROL IT, THEN 1246 00:29:27,834 --> 00:29:28,835 WHAT YOU WITH HER FOR, THEN? 1247 00:29:28,835 --> 00:29:29,501 WE GET MONEY. 1248 00:29:29,501 --> 00:29:30,336 YOU REALLY WOULD SACRIFICE 1249 00:29:30,336 --> 00:29:31,670 RELATIONSHIPS AND FRIENDSHIPS 1250 00:29:31,670 --> 00:29:32,738 OVER HER? 1251 00:29:32,738 --> 00:29:33,672 I WANT TO GET TO THE BOTTOM 1252 00:29:33,672 --> 00:29:34,640 OF IT. 1253 00:29:34,640 --> 00:29:35,707 NO, I'M NOT TALKING ABOUT 1254 00:29:35,707 --> 00:29:36,408 THAT NO MORE. 1255 00:29:36,408 --> 00:29:37,076 I DIDN'T [bleep] HER! 1256 00:29:37,076 --> 00:29:37,844 I DIDN'T TRY TO [bleep] HER! 1257 00:29:37,844 --> 00:29:38,510 THAT'S IT! 1258 00:29:38,510 --> 00:29:39,278 I DON'T WANT TO TALK ABOUT IT 1259 00:29:39,278 --> 00:29:39,946 NO MORE. 1260 00:29:39,946 --> 00:29:41,580 WHY YOU TEXTING MY [bleep]? 1261 00:29:41,580 --> 00:29:42,414 WHY AM I TEXTING YOUR 1262 00:29:42,414 --> 00:29:43,249 [bleep]? 1263 00:29:43,249 --> 00:29:44,150 YOUR [bleep] BE OVER AT MY 1264 00:29:44,150 --> 00:29:44,884 HOUSE. 1265 00:29:44,884 --> 00:29:46,085 YOUR [bleep] BE COMING THROUGH. 1266 00:29:46,085 --> 00:29:46,919 I THOUGHT I HAD SOME TYPE OF 1267 00:29:46,919 --> 00:29:48,520 FRIENDLY RELATIONSHIP, OKAY? 1268 00:29:48,520 --> 00:29:49,188 THEY COME THROUGH. 1269 00:29:49,188 --> 00:29:51,023 RIGHT, OKAY. YEAH, OKAY. 1270 00:29:51,023 --> 00:29:51,858 OKAY. 1271 00:29:51,858 --> 00:29:52,859 YOUR [bleep] TELL ME [bleep], 1272 00:29:52,859 --> 00:29:53,860 STEVIE. 1273 00:29:53,860 --> 00:29:56,095 UH, UH, YOUR [bleep] TRASHING 1274 00:29:56,095 --> 00:29:57,596 ME ALL THE TIME. 1275 00:29:57,596 --> 00:29:58,430 THAT'S WHAT THEY DO-- 1276 00:29:58,430 --> 00:29:59,231 THAT'S WHAT THEY DO TO PEOPLE 1277 00:29:59,231 --> 00:30:00,132 THEY FEEL THEY BROTHER, YOU KNOW 1278 00:30:00,132 --> 00:30:00,867 WHAT I'M SAYING? 1279 00:30:00,867 --> 00:30:01,467 REALLY? 1280 00:30:01,467 --> 00:30:02,268 SO IF I'M THEIR BROTHER, THEN 1281 00:30:02,268 --> 00:30:02,935 HOW COME 1282 00:30:02,935 --> 00:30:04,236 I CAN'T TEXT 'EM, THEN? 1283 00:30:04,236 --> 00:30:04,971 THAT AIN'T HOW YOU DO-- 1284 00:30:04,971 --> 00:30:05,737 AT 6:00 IN THE MORNING? 1285 00:30:05,737 --> 00:30:06,572 YOU'RE TEXTING AT 6:00 IN THE 1286 00:30:06,572 --> 00:30:09,075 MORNING, "HEY, SEXY"-- 1287 00:30:09,075 --> 00:30:09,741 NO, NO, NO. 1288 00:30:09,741 --> 00:30:10,776 THERE WAS NO "SEXY" IN THERE. 1289 00:30:10,776 --> 00:30:12,178 IT SAID, "HEY," AND "I'M JOSE." 1290 00:30:12,178 --> 00:30:13,445 THERE WAS NO "SEXY." 1291 00:30:13,445 --> 00:30:14,780 COME ON, SLEAZE, YOU COULD HAVE 1292 00:30:14,780 --> 00:30:15,982 CAME UP HERE. 1293 00:30:15,982 --> 00:30:16,682 WE COULD HAVE KICKED IT. 1294 00:30:16,682 --> 00:30:17,683 YOU COULD HAVE CALLED ME. 1295 00:30:17,683 --> 00:30:18,350 YOU DIDN'T WANT TO. 1296 00:30:18,350 --> 00:30:19,018 YOU CHOSE TO BRING HER. 1297 00:30:19,018 --> 00:30:19,685 YEAH, I DID. 1298 00:30:19,685 --> 00:30:21,120 SHE RUNS HER MOUTH, BUT, 1299 00:30:21,120 --> 00:30:22,154 SLEAZE, SHE'S GONNA GET YOU IN 1300 00:30:22,154 --> 00:30:23,389 TROUBLE, OKAY? 1301 00:30:23,389 --> 00:30:24,390 SHE RUNS HER MOUTH LIKE SHE'S 1302 00:30:24,390 --> 00:30:25,824 SOME SUPER [bleep] STAR, LIKE 1303 00:30:25,824 --> 00:30:27,559 SHE [bleep] "RIH-YONCE." 1304 00:30:27,559 --> 00:30:28,560 SHE AIN'T [bleep]. 1305 00:30:28,560 --> 00:30:30,096 IF ME AND YOU CAN'T [bleep] WITH 1306 00:30:30,096 --> 00:30:31,898 EACH OTHER BECAUSE OF HER? 1307 00:30:31,898 --> 00:30:33,032 IT AIN'T GOT NOTHING TO DO 1308 00:30:33,032 --> 00:30:33,699 WITH HER. 1309 00:30:33,699 --> 00:30:34,666 REALLY? 1310 00:30:34,666 --> 00:30:35,467 SO THEN WE AIN'T BROTHERS NO 1311 00:30:35,467 --> 00:30:36,135 MORE, THEN, I GUESS. 1312 00:30:36,135 --> 00:30:37,236 I'M COOL WITH THAT. 1313 00:30:37,236 --> 00:30:39,171 ALL RIGHT, SO THEN--THEN-- 1314 00:30:39,171 --> 00:30:40,372 THEN THAT'S WHAT IT IS, THEN. 1315 00:30:40,372 --> 00:30:41,340 THAT'S WHAT IT IS? 1316 00:30:41,340 --> 00:30:42,041 I GUESS SO. 1317 00:30:42,041 --> 00:30:45,177 IT'S WHAT YOU SAID, RIGHT? 1318 00:30:45,177 --> 00:30:45,945 I JUST FIGURED, YOU KNOW, 1319 00:30:45,945 --> 00:30:47,046 SOMETHING ELSE WAS GOING ON IF 1320 00:30:47,046 --> 00:30:48,014 YOU DID THAT AT 6:00 IN THE 1321 00:30:48,014 --> 00:30:48,680 MORNING. 1322 00:30:48,680 --> 00:30:49,448 THERE'S GOT TO BE SOMETHING 1323 00:30:49,448 --> 00:30:50,116 GOING ON. 1324 00:30:50,116 --> 00:30:50,983 THAT'S YOUR OWN CONSCIENCE. 1325 00:30:50,983 --> 00:30:51,750 THAT'S YOUR OWN CONSCIENCE 1326 00:30:51,750 --> 00:30:52,418 KILLING YOU. 1327 00:30:52,418 --> 00:30:53,085 NO, IT'S REALITY. 1328 00:30:53,085 --> 00:30:53,752 AIN'T NO CONSCIENCE. 1329 00:30:53,752 --> 00:30:54,553 IT'S YOUR OWN CONSCIENCE. 1330 00:30:54,553 --> 00:30:55,854 I'M SORRY, I DON'T NEED ANY 1331 00:30:55,854 --> 00:30:57,123 FRIENDS AROUND ME THAT I CAN'T 1332 00:30:57,123 --> 00:30:57,990 TRUST. 1333 00:30:57,990 --> 00:30:58,824 I GOT ENOUGH ISSUE WITH THESE 1334 00:30:58,824 --> 00:31:00,326 [bleep], AND I DON'T NEED MY 1335 00:31:00,326 --> 00:31:01,560 BEST FRIEND TRYING TO BANG NONE 1336 00:31:01,560 --> 00:31:03,229 OF THEM. 1337 00:31:03,229 --> 00:31:04,463 SLEAZE, PLEASE. 1338 00:31:04,463 --> 00:31:06,332 [bleep] THAT BITCH. 1339 00:31:06,332 --> 00:31:07,433 STRAIGHT UP. 1340 00:31:07,433 --> 00:31:08,434 DONE BEEN THROUGH TOO MUCH 1341 00:31:08,434 --> 00:31:10,436 [bleep], SLEAZE. 1342 00:31:13,005 --> 00:31:15,341 THERE THEY GO OFF IN THE SUNSET. 1343 00:31:15,341 --> 00:31:16,442 THERE THEY GO. 1344 00:31:16,442 --> 00:31:17,944 HEH, SEE YOU LATER. 1345 00:31:17,944 --> 00:31:20,112 BYE, JOSELINE HERNANDEZ. 1346 00:31:27,954 --> 00:31:28,754 WHAT'S GOING ON? 1347 00:31:28,754 --> 00:31:31,657 HE JUST DESTROYED MY WHOO-HA. 1348 00:31:31,657 --> 00:31:33,625 HAVE YOU TRIED EHARMONY? 1349 00:31:33,625 --> 00:31:35,061 YOU TRAIN THESE [bleep]! 1350 00:31:35,061 --> 00:31:36,128 THEY DON'T OPEN THEY [bleep] 1351 00:31:36,128 --> 00:31:36,828 MOUTH! 1352 00:31:36,828 --> 00:31:38,264 WHY ARE YOU SO MAD? 1353 00:31:38,264 --> 00:31:40,266 GET OFF ME! 1354 00:31:49,808 --> 00:31:50,676 MY LITTLE FRIEND, 1355 00:31:50,676 --> 00:31:52,344 MY LITTLE WHOO-HA THING, 1356 00:31:52,344 --> 00:31:53,712 ISN'T RESPONDING TO ANY MAN BUT 1357 00:31:53,712 --> 00:31:55,314 ONE, AND HIS NAME IS JACK 1358 00:31:55,314 --> 00:31:57,383 DANIELS, SO I'M HOPING MY DOCTOR 1359 00:31:57,383 --> 00:31:58,650 CAN SOLVE THIS ISSUE. 1360 00:31:58,650 --> 00:31:59,551 WE SHOULD HAVE BROUGHT KIRK 1361 00:31:59,551 --> 00:32:01,120 WITH US. 1362 00:32:01,120 --> 00:32:01,787 WHAT? 1363 00:32:01,787 --> 00:32:03,990 GIRL, HIS WHOO-HA WAS BROKE 1364 00:32:03,990 --> 00:32:05,357 LAST NIGHT TOO. 1365 00:32:05,357 --> 00:32:06,025 BACK UP. 1366 00:32:06,025 --> 00:32:07,726 NO, NO, LISTEN, LISTEN. 1367 00:32:07,726 --> 00:32:09,161 WHILE I WAS IN THE STUDIO LAST 1368 00:32:09,161 --> 00:32:10,629 NIGHT, JUST WORKING, MINDING MY 1369 00:32:10,629 --> 00:32:14,166 BUSINESS, AND HE VOGUES... 1370 00:32:14,166 --> 00:32:17,069 INTO THE STUDIO, GIRL, TO TALK 1371 00:32:17,069 --> 00:32:18,237 TO ME AND CONFRONT ME. 1372 00:32:18,237 --> 00:32:19,305 ABOUT WHAT? 1373 00:32:19,305 --> 00:32:20,739 GIRL, ABOUT GEORGIA PRUNE, 1374 00:32:20,739 --> 00:32:22,008 ABOUT HIS WIFE. 1375 00:32:22,008 --> 00:32:23,475 THERE'S NO REASON FOR LITTLE 1376 00:32:23,475 --> 00:32:24,576 RICHARD TO COME SEE ME IN THE 1377 00:32:24,576 --> 00:32:25,677 STUDIO. 1378 00:32:25,677 --> 00:32:26,778 I'M THE ONLY PIANIST IN THERE. 1379 00:32:26,778 --> 00:32:28,747 LITTLE RICHARD WALKS IN THINKING 1380 00:32:28,747 --> 00:32:29,515 THAT HE GONNA SAY SOMETHING 1381 00:32:29,515 --> 00:32:30,182 TO ME. 1382 00:32:30,182 --> 00:32:31,717 THAT'S WHY I CAN'T GET [bleep], 1383 00:32:31,717 --> 00:32:34,620 BECAUSE MEN LIKE THAT ARE IN THE 1384 00:32:34,620 --> 00:32:35,887 UNIVERSE RIGHT NOW. 1385 00:32:35,887 --> 00:32:37,423 HI, MISS K. 1386 00:32:37,423 --> 00:32:38,257 DR. RANDELL'S READY TO SEE YOU 1387 00:32:38,257 --> 00:32:38,924 NOW. 1388 00:32:38,924 --> 00:32:40,592 OKAY, WHEW. 1389 00:32:40,592 --> 00:32:41,927 THANK GOD THE NURSE 1390 00:32:41,927 --> 00:32:42,861 SHOWED UP. 1391 00:32:42,861 --> 00:32:43,729 HOPEFULLY SOMEONE ELSE CAN 1392 00:32:43,729 --> 00:32:45,697 VERIFY SOMETHING THAT WE ALL 1393 00:32:45,697 --> 00:32:46,665 KNOW: 1394 00:32:46,665 --> 00:32:49,101 K, SHE AIN'T WRAPPED TOO TIGHT. 1395 00:32:49,101 --> 00:32:50,836 SO, K, EVERYTHING'S GREAT. 1396 00:32:50,836 --> 00:32:51,503 WHAT'S GOING ON? 1397 00:32:51,503 --> 00:32:52,671 SHE'S BROKE. 1398 00:32:52,671 --> 00:32:54,273 NEED 'QUOR TO GET [bleep]. 1399 00:32:54,273 --> 00:32:54,940 HOW LONG HAS THIS BEEN 1400 00:32:54,940 --> 00:32:55,607 HELPFUL? 1401 00:32:55,607 --> 00:32:57,243 PROBABLY, LIKE, SEVEN MONTHS 1402 00:32:57,243 --> 00:32:57,909 OR SOMETHING. 1403 00:32:57,909 --> 00:32:59,211 SEVEN MONTHS? 1404 00:32:59,211 --> 00:33:00,779 TELL ME ABOUT YOUR RELATIONSHIP. 1405 00:33:00,779 --> 00:33:01,680 WHO ARE YOU DATING? 1406 00:33:01,680 --> 00:33:02,848 THAT'S THE PROBLEM. 1407 00:33:02,848 --> 00:33:04,383 SHE'S NOT OVER THIS GUY. 1408 00:33:04,383 --> 00:33:05,317 OH, MY GOD. 1409 00:33:05,317 --> 00:33:08,054 HE JUST DESTROYED MY WHOO-HA. 1410 00:33:08,054 --> 00:33:09,088 SO IF WE COULD 1411 00:33:09,088 --> 00:33:10,122 FIX THE PROBLEM, 1412 00:33:10,122 --> 00:33:11,323 THEN WHAT ARE YOUR PLANS? 1413 00:33:11,323 --> 00:33:12,158 I JUST WANT TO MAKE SURE THAT 1414 00:33:12,158 --> 00:33:14,060 NOW THAT HE'S GONE, THAT SHE'S 1415 00:33:14,060 --> 00:33:16,062 NOT PERMANENTLY OUT OF ORDER. 1416 00:33:16,062 --> 00:33:17,463 OKAY, WELL, DURING THE EXAM, 1417 00:33:17,463 --> 00:33:18,464 EVERYTHING LOOKED FINE. 1418 00:33:18,464 --> 00:33:19,965 SO WHAT AM I SUPPOSED TO DO? 1419 00:33:19,965 --> 00:33:20,632 LET ME ASK YOU A COUPLE 1420 00:33:20,632 --> 00:33:21,300 QUESTIONS. 1421 00:33:21,300 --> 00:33:22,168 YOU'RE THROUGH WITH THIS GUY-- 1422 00:33:22,168 --> 00:33:23,802 WHAT, SIX MONTHS AGO WAS THE 1423 00:33:23,802 --> 00:33:25,104 LAST TIME YOU WERE WITH HIM? 1424 00:33:25,104 --> 00:33:27,206 OH, GOD, IT'S BEEN A MINUTE. 1425 00:33:27,206 --> 00:33:28,307 MOVE ON. 1426 00:33:28,307 --> 00:33:29,541 I MEAN, THAT'S THE PAST. 1427 00:33:29,541 --> 00:33:31,077 YEAH, BUT I TOOK A BROKE 1428 00:33:31,077 --> 00:33:32,778 VA-JAY-JAY INTO THE PRESENT, AND 1429 00:33:32,778 --> 00:33:33,779 I THINK IF I COULD GET THAT 1430 00:33:33,779 --> 00:33:36,348 INTEREST IN GUYS-- 1431 00:33:36,348 --> 00:33:37,749 I DON'T--THERE'S NO INTEREST. 1432 00:33:37,749 --> 00:33:38,817 SO I GIVE--I GOT TO LET GO-- 1433 00:33:38,817 --> 00:33:40,586 SO NO FANCIES, NOTHING? 1434 00:33:40,586 --> 00:33:42,088 YOU HAVE NO NOTHING? 1435 00:33:42,088 --> 00:33:42,921 OF OBAMA. 1436 00:33:42,921 --> 00:33:43,689 WHAT'S YOUR FANTASY WITH 1437 00:33:43,689 --> 00:33:44,856 OBAMA? 1438 00:33:44,856 --> 00:33:45,524 I WOULD SCREW HIM. 1439 00:33:45,524 --> 00:33:46,325 REALLY? 1440 00:33:46,325 --> 00:33:47,926 SO WHAT IS IT ABOUT HIM THAT... 1441 00:33:47,926 --> 00:33:49,128 HE'S JUST POWERFUL, AND I 1442 00:33:49,128 --> 00:33:50,096 JUST FEEL LIKE--HE LOOKS LIKE HE 1443 00:33:50,096 --> 00:33:50,862 SMELLS GOOD. 1444 00:33:50,862 --> 00:33:51,697 SO WHY CAN'T YOU JUST FIND 1445 00:33:51,697 --> 00:33:55,000 SOMEBODY JUST LIKE OBAMA? 1446 00:33:55,000 --> 00:33:56,568 YOU'RE AN ATTRACTIVE WOMAN. 1447 00:33:56,568 --> 00:33:57,436 WHY CAN'T YOU GO OUT THERE AND 1448 00:33:57,436 --> 00:33:58,337 FIND SOMEBODY? 1449 00:33:58,337 --> 00:33:59,004 DO YOU HEAR HIM? 1450 00:33:59,004 --> 00:33:59,805 [laughing] YEAH. 1451 00:33:59,805 --> 00:34:01,307 YOU MEAN, WHY CAN'T I FIND A 1452 00:34:01,307 --> 00:34:04,110 MAN IN AMERICA LIKE OBAMA? 1453 00:34:04,110 --> 00:34:05,544 EXACTLY. 1454 00:34:05,544 --> 00:34:06,478 AREN'T THEY OUT THERE? 1455 00:34:06,478 --> 00:34:07,346 DO I LOOK LIKE MICHELLE 1456 00:34:07,346 --> 00:34:08,013 TO YOU? 1457 00:34:08,013 --> 00:34:10,782 HAVE YOU TRIED EHARMONY? 1458 00:34:10,782 --> 00:34:13,485 [laughing] 1459 00:34:13,485 --> 00:34:14,620 YOU'RE INSULTING ME AND ALL 1460 00:34:14,620 --> 00:34:15,854 THE WORK I GOT. 1461 00:34:15,854 --> 00:34:16,588 I AM SO SORRY. 1462 00:34:16,588 --> 00:34:18,257 TO GO--OH, MY GOD. 1463 00:34:18,257 --> 00:34:19,024 OH, GOD. 1464 00:34:19,024 --> 00:34:20,025 I DONE GOT NEW TEETH AND 1465 00:34:20,025 --> 00:34:20,792 EVERYTHING. 1466 00:34:20,792 --> 00:34:22,261 I HAVE PAID FOR EXPENSIVE HAIR, 1467 00:34:22,261 --> 00:34:23,729 EVERYTHING, AND YOU WANT ME TO 1468 00:34:23,729 --> 00:34:26,432 GO ON THE INTERNET? 1469 00:34:26,432 --> 00:34:28,434 I HEARD IT WORKS. 1470 00:34:34,906 --> 00:34:35,907 SO I'M HEADED OVER TO DREW'S 1471 00:34:35,907 --> 00:34:37,008 HOUSE TO DROP OFF THE INVESTMENT 1472 00:34:37,008 --> 00:34:37,776 MONEY. 1473 00:34:37,776 --> 00:34:38,810 HE SAID HE NEEDED THE MONEY 1474 00:34:38,810 --> 00:34:39,811 A.S.A.P. 1475 00:34:39,811 --> 00:34:40,612 I WAS IN THE NEIGHBORHOOD AND 1476 00:34:40,612 --> 00:34:41,547 THOUGHT, "LET ME GO AHEAD AND 1477 00:34:41,547 --> 00:34:42,781 GET THE BALL ROLLING, DROP IT 1478 00:34:42,781 --> 00:34:44,015 OFF NOW, SO HE CAN GET OUR 1479 00:34:44,015 --> 00:34:45,151 BUSINESS HANDLED." 1480 00:34:45,151 --> 00:34:48,320 [knocking at door] 1481 00:34:49,855 --> 00:34:51,757 I'M KNOCKING ON DREW'S DOOR, AND 1482 00:34:51,757 --> 00:34:53,159 I'M KNOCKING AND KNOCKING. 1483 00:34:53,159 --> 00:34:54,593 NO ONE'S ANSWERING. 1484 00:34:54,593 --> 00:34:55,394 I KNOW HE'S HOME. 1485 00:34:55,394 --> 00:34:56,695 HIS CAR IS OUTSIDE. 1486 00:34:56,695 --> 00:34:58,330 WHAT THE HELL IS GOING ON? 1487 00:34:58,330 --> 00:35:00,332 [banging at door] 1488 00:35:03,802 --> 00:35:05,471 WHAT THE HELL? 1489 00:35:05,471 --> 00:35:06,205 WHAT YOU MEAN, "WHAT THE 1490 00:35:06,205 --> 00:35:06,872 HELL?" 1491 00:35:06,872 --> 00:35:07,606 WHY IT TOOK YOU SO LONG TO 1492 00:35:07,606 --> 00:35:08,307 ANSWER THE DOOR? 1493 00:35:08,307 --> 00:35:09,175 I DON'T EVER SHOW UP TO YOUR 1494 00:35:09,175 --> 00:35:10,642 HOUSE--WHAT ARE YOU LOOKING FOR? 1495 00:35:10,642 --> 00:35:11,510 WHY YOU WON'T LET ME IN? 1496 00:35:11,510 --> 00:35:13,179 WHAT'S HAPPENING? 1497 00:35:13,179 --> 00:35:14,246 IF I JUST SHOWED UP TO YOUR 1498 00:35:14,246 --> 00:35:16,315 HOUSE, WOULD YOU LET ME IN? 1499 00:35:16,315 --> 00:35:17,416 IF I--YES, IF YOU HAD A 1500 00:35:17,416 --> 00:35:19,185 $25,000 CHECK, HELL YEAH, 1501 00:35:19,185 --> 00:35:20,552 I WOULD LET YOU IN. 1502 00:35:20,552 --> 00:35:21,887 THE HELL? 1503 00:35:21,887 --> 00:35:23,789 EXCUSE ME. 1504 00:35:23,789 --> 00:35:25,857 DREW IS ACTIN' REAL SHADY. 1505 00:35:25,857 --> 00:35:27,025 HE'S THE ONE THAT ASKED ME TO 1506 00:35:27,025 --> 00:35:28,660 BRING THAT CHECK A.S.A.P. AND 1507 00:35:28,660 --> 00:35:30,262 PRESSURING ME TO COMMIT ON THE 1508 00:35:30,262 --> 00:35:31,062 SPOT. 1509 00:35:31,062 --> 00:35:32,698 NOW HE'S ACTING LIKE HE HAS ALL 1510 00:35:32,698 --> 00:35:33,832 THE TIME IN THE WORLD FOR ME AND 1511 00:35:33,832 --> 00:35:34,733 MY MONEY. 1512 00:35:34,733 --> 00:35:35,567 THAT'S SOME BULL[bleep]. 1513 00:35:35,567 --> 00:35:36,668 WHERE THEY DO THAT AT? 1514 00:35:36,668 --> 00:35:37,769 WHAT IS THE PROBLEM? 1515 00:35:37,769 --> 00:35:38,670 I DON'T UNDERSTAND WHY YOU CAN'T 1516 00:35:38,670 --> 00:35:39,505 JUST OPEN THE DOOR? 1517 00:35:39,505 --> 00:35:40,672 I--IT'S--THIS IS BUSINESS. 1518 00:35:40,672 --> 00:35:41,607 WE ALWAYS-- 1519 00:35:41,607 --> 00:35:42,408 WHAT'S THE PROBLEM? 1520 00:35:42,408 --> 00:35:43,275 IF YOU HAD COMPANY, RIGHT? 1521 00:35:43,275 --> 00:35:43,942 IF YOU HAD COMPANY 1522 00:35:43,942 --> 00:35:44,743 OVER YOUR HOUSE-- 1523 00:35:44,743 --> 00:35:46,512 AHH. 1524 00:35:46,512 --> 00:35:47,879 WHEN YOU DON'T HAVE COMPANY? 1525 00:35:47,879 --> 00:35:48,814 WHY DOES THAT MATTER? 1526 00:35:48,814 --> 00:35:50,015 WE NEED TO HANDLE BUSINESS, 1527 00:35:50,015 --> 00:35:51,217 AND WE CAN'T HANDLE BUSINESS 1528 00:35:51,217 --> 00:35:53,018 BECAUSE YOU GOT SOME RANDOM IN 1529 00:35:53,018 --> 00:35:53,719 THE FREAKIN' HOUSE. 1530 00:35:53,719 --> 00:35:55,053 AND THEN WHERE THEY AT? 1531 00:35:55,053 --> 00:35:56,622 IS THE RANDOM IN THE BATHROOM? 1532 00:35:56,622 --> 00:35:57,423 UNDER THE CLOSET? 1533 00:35:57,423 --> 00:35:58,089 THERE SHE GO. 1534 00:35:58,089 --> 00:35:58,924 JUST COME BACK OVER HERE AND 1535 00:35:58,924 --> 00:35:59,591 SIT DOWN. 1536 00:35:59,591 --> 00:36:00,392 THERE SHE GO. 1537 00:36:00,392 --> 00:36:01,693 THE RANDOM IS IN THE BUILDING. 1538 00:36:01,693 --> 00:36:02,594 YOU'RE NOT SUPPOSED TO SHOW 1539 00:36:02,594 --> 00:36:03,262 UP TO MY DOOR. 1540 00:36:03,262 --> 00:36:04,530 THAT'S FIRST--COMMON COURTESY. 1541 00:36:04,530 --> 00:36:05,464 YOU RIGHT. 1542 00:36:05,464 --> 00:36:06,832 I'M NOT SUPPOSED TO SHOW UP TO 1543 00:36:06,832 --> 00:36:09,701 YOUR DOOR WITH $25,000 TO INVEST 1544 00:36:09,701 --> 00:36:10,802 IN YOUR [bleep] BUSINESS. 1545 00:36:10,802 --> 00:36:11,470 IN OUR BUSINESS. 1546 00:36:11,470 --> 00:36:12,904 I'M NOT SUPPOSED TO SHOW UP 1547 00:36:12,904 --> 00:36:14,840 TO THE DOOR BECAUSE YOU GOT A 1548 00:36:14,840 --> 00:36:16,041 POPCORN, MICROWAVABLE BITCH IN 1549 00:36:16,041 --> 00:36:16,708 THE HOUSE. 1550 00:36:16,708 --> 00:36:17,943 AT THE END OF THE DAY, 1551 00:36:17,943 --> 00:36:19,144 WE'RE NOT TOGETHER. 1552 00:36:19,144 --> 00:36:19,978 I KNOW WE'RE NOT TOGETHER. 1553 00:36:19,978 --> 00:36:20,679 SO YOU DON'T SHOW UP-- 1554 00:36:20,679 --> 00:36:22,047 BUT WHAT I'M SAYING IS, THESE 1555 00:36:22,047 --> 00:36:24,049 [bleep] ALWAYS AFFECT SOMETHING. 1556 00:36:24,049 --> 00:36:24,916 YOU'RE NOT SUPPOSED TO SHOW 1557 00:36:24,916 --> 00:36:26,252 UP TO MY HOUSE. 1558 00:36:26,252 --> 00:36:27,653 THAT'S THE BOTTOM LINE. 1559 00:36:27,653 --> 00:36:28,820 IT'S GREAT THAT TRACI BROUGHT ME 1560 00:36:28,820 --> 00:36:30,256 THIS CHECK, BUT SHE HAS TO 1561 00:36:30,256 --> 00:36:31,623 RESPECT MY BOUNDARIES. 1562 00:36:31,623 --> 00:36:32,991 I DON'T GO TO HER HOUSE AND 1563 00:36:32,991 --> 00:36:34,560 KNOCK ON THE DOOR UNEXPECTEDLY. 1564 00:36:34,560 --> 00:36:35,261 THAT'S NOT RIGHT. 1565 00:36:35,261 --> 00:36:36,462 TRACI HAS A LITTLE BOSSY 1566 00:36:36,462 --> 00:36:37,963 TENDENCY, AND SHE HAS TO REALIZE 1567 00:36:37,963 --> 00:36:38,864 SHE CAN'T DO THAT. 1568 00:36:38,864 --> 00:36:39,598 IT DOESN'T MATTER. 1569 00:36:39,598 --> 00:36:40,266 REALLY? 1570 00:36:40,266 --> 00:36:40,932 HOW IS THIS AFFECTING 1571 00:36:40,932 --> 00:36:41,600 ANYTHING? 1572 00:36:41,600 --> 00:36:42,268 UM... 1573 00:36:42,268 --> 00:36:43,269 SHUT THE [bleep] UP! 1574 00:36:43,269 --> 00:36:44,135 YOU DON'T HAVE NO WORDS. 1575 00:36:44,135 --> 00:36:45,704 NO, I'M NOT TALKING TO YOU. 1576 00:36:45,704 --> 00:36:46,672 DO NOT SPEAK. 1577 00:36:46,672 --> 00:36:47,473 SAY SOMETHING AGAIN. 1578 00:36:47,473 --> 00:36:48,474 SAY SOMETHING-- 1579 00:36:48,474 --> 00:36:49,140 GET THE [bleep] OFF. 1580 00:36:49,140 --> 00:36:49,875 WELL, WHY ARE YOU SO MAD? 1581 00:36:49,875 --> 00:36:50,842 SAY SOMETHING AGAIN! 1582 00:36:50,842 --> 00:36:51,677 WHY ARE YOU SO MAD? 1583 00:36:51,677 --> 00:36:52,678 COME RIGHT HERE. 1584 00:36:52,678 --> 00:36:53,679 THESE [bleep] DON'T OPEN 1585 00:36:53,679 --> 00:36:54,480 THEIR MOUTH! 1586 00:36:54,480 --> 00:36:55,814 YOU TRAIN THESE [bleep]! 1587 00:36:55,814 --> 00:36:56,682 THEY DON'T OPEN THEY [bleep] 1588 00:36:56,682 --> 00:36:57,349 MOUTH! 1589 00:36:57,349 --> 00:36:58,183 DO YOU UNDERSTAND ME? 1590 00:36:58,183 --> 00:36:58,850 CHILL OUT. 1591 00:36:58,850 --> 00:36:59,951 YOU SHUT THE [bleep] UP! 1592 00:36:59,951 --> 00:37:00,819 YOU SIT IN THE CORNER, AND YOU 1593 00:37:00,819 --> 00:37:02,288 BE QUIET. 1594 00:37:02,288 --> 00:37:02,954 SIT DOWN. SIT DOWN. 1595 00:37:02,954 --> 00:37:03,822 SIT DOWN! 1596 00:37:03,822 --> 00:37:05,624 SIT DOWN. 1597 00:37:05,624 --> 00:37:08,427 GET OFF ME! 1598 00:37:08,427 --> 00:37:10,862 COME HERE. 1599 00:37:10,862 --> 00:37:11,897 IF WE DON'T DO THIS, I'M GOING 1600 00:37:11,897 --> 00:37:12,564 ON TOUR AGAIN. 1601 00:37:12,564 --> 00:37:14,099 I DIDN'T CHOOSE THIS [bleep]. 1602 00:37:14,099 --> 00:37:14,833 DO YOU THINK I WANT TO BE A 1603 00:37:14,833 --> 00:37:15,634 BABY MAMA? 1604 00:37:15,634 --> 00:37:16,935 HOW YOU LIVE YOUR LIFE AFFECTS 1605 00:37:16,935 --> 00:37:18,169 ME, AND YOU DON'T EVEN KNOW IT. 1606 00:37:18,169 --> 00:37:19,137 YOU DO WHAT YOU WANT TO DO, 1607 00:37:19,137 --> 00:37:21,373 WHATEVER MAKES YOU HAPPY. 1608 00:37:30,616 --> 00:37:32,818 COME HERE. 1609 00:37:32,818 --> 00:37:33,919 EXPLAIN TO ME WHY THIS IS MAKING 1610 00:37:33,919 --> 00:37:35,887 YOU SO ANGRY. 1611 00:37:35,887 --> 00:37:36,922 HUH? 1612 00:37:36,922 --> 00:37:38,457 WHY IS THIS MAKING YOU SO ANGRY? 1613 00:37:38,457 --> 00:37:39,591 THIS HAS NOTHING TO DO-- 1614 00:37:39,591 --> 00:37:40,592 I'M SO TIRED-- 1615 00:37:40,592 --> 00:37:41,427 SO WHAT YOU MEAN IT HAS NOTHING 1616 00:37:41,427 --> 00:37:42,093 TO DO WITH ME? 1617 00:37:42,093 --> 00:37:42,794 YOU HAVEN'T DEALT WITH 1618 00:37:42,794 --> 00:37:43,462 ANYBODY EXPECT ME. 1619 00:37:43,462 --> 00:37:44,195 I'M SUPPOSED TO BE YOUR 1620 00:37:44,195 --> 00:37:45,030 FAMILY. 1621 00:37:45,030 --> 00:37:45,931 RIGHT. MY FAMILY COMES FIRST. 1622 00:37:45,931 --> 00:37:47,333 EVERY TIME I TURN AROUND-- 1623 00:37:47,333 --> 00:37:48,800 WE NEVER COME FIRST. 1624 00:37:48,800 --> 00:37:51,069 EVERY TWO SECONDS, IT'S ANOTHER 1625 00:37:51,069 --> 00:37:51,937 BITCH. 1626 00:37:51,937 --> 00:37:53,439 MY SON GOT TO BE OVER THERE. 1627 00:37:53,439 --> 00:37:54,973 I GOT TO DO BUSINESS WITH YOU, 1628 00:37:54,973 --> 00:37:56,141 AND I GOT TO SEE THIS [bleep]? 1629 00:37:56,141 --> 00:37:57,008 LET ME EXPLAIN SOMETHING. 1630 00:37:57,008 --> 00:37:58,143 IN SCIENCE CLASS, WE LEARNED 1631 00:37:58,143 --> 00:37:58,810 WHAT? 1632 00:37:58,810 --> 00:38:00,145 THAT WE'RE NOT MONOGAMOUS. 1633 00:38:00,145 --> 00:38:00,912 WHAT THE [bleep] IS WRONG 1634 00:38:00,912 --> 00:38:01,580 WITH YOU? 1635 00:38:01,580 --> 00:38:02,614 WE ARE NOT NATURALLY 1636 00:38:02,614 --> 00:38:03,649 MONOGAMOUS, SO WHY DO I HAVE 1637 00:38:03,649 --> 00:38:04,350 TO FIGHT NATURE? 1638 00:38:04,350 --> 00:38:04,983 WHY DO I HAVE TO GO-- 1639 00:38:04,983 --> 00:38:05,651 WHAT THE [bleep]? 1640 00:38:05,651 --> 00:38:06,352 AND SO THIS IS WHAT YOU 1641 00:38:06,352 --> 00:38:06,985 TEACHING DREW? 1642 00:38:06,985 --> 00:38:07,653 I'M JUST SAYING. 1643 00:38:07,653 --> 00:38:08,454 YOU WANT HIM TO GROW UP TO BE 1644 00:38:08,454 --> 00:38:09,120 THIS? 1645 00:38:09,120 --> 00:38:10,088 THIS HAS NOTHING TO DO WITH 1646 00:38:10,088 --> 00:38:10,922 THIS. 1647 00:38:10,922 --> 00:38:12,157 THIS HAS EVERYTHING TO DO 1648 00:38:12,157 --> 00:38:13,492 WITH THIS. 1649 00:38:13,492 --> 00:38:14,393 TRACI IS OUT OF CONTROL FOR 1650 00:38:14,393 --> 00:38:16,027 TRYING TO CONTROL MY LOVE LIFE. 1651 00:38:16,027 --> 00:38:16,795 I CAN DATE WHOEVER THE HELL I 1652 00:38:16,795 --> 00:38:18,063 WANT TO DATE, AND SHE CAN'T TELL 1653 00:38:18,063 --> 00:38:19,365 ME OTHERWISE. 1654 00:38:19,365 --> 00:38:20,932 I CAN'T HELP IT IF I'M HANDSOME. 1655 00:38:20,932 --> 00:38:23,001 LOOK AT THIS FACE. 1656 00:38:23,001 --> 00:38:24,370 WHAT I DO ON MY OWN TIME IS WHAT 1657 00:38:24,370 --> 00:38:25,371 I DO ON MY OWN TIME. 1658 00:38:25,371 --> 00:38:27,005 GOOD, WHAT I DO WITH MY MONEY 1659 00:38:27,005 --> 00:38:29,741 IS WHAT I DO WITH MY MONEY. 1660 00:38:29,741 --> 00:38:30,576 ALL THIS MONEY, AND YOU JUST 1661 00:38:30,576 --> 00:38:31,443 WANT TO THROW THE BUSINESS AWAY 1662 00:38:31,443 --> 00:38:32,110 LIKE THAT? 1663 00:38:32,110 --> 00:38:32,778 WE'RE DONE. 1664 00:38:32,778 --> 00:38:33,979 STOP TALKING TO ME. 1665 00:38:33,979 --> 00:38:34,880 CAN YOU GO HANDLE YOUR BUSINESS? 1666 00:38:34,880 --> 00:38:35,581 GO HANDLE YOUR BUSINESS. 1667 00:38:35,581 --> 00:38:36,548 THIS IS MY BUSINESS. 1668 00:38:36,548 --> 00:38:37,983 MY SON HAS NOT SEEN A GIRL-- 1669 00:38:37,983 --> 00:38:38,784 I REMEMBER ONE TIME, WE WAS 1670 00:38:38,784 --> 00:38:39,918 IN THE AIRPORT AND DREWSIE 1671 00:38:39,918 --> 00:38:43,288 CALLED ME MEGAN. 1672 00:38:43,288 --> 00:38:44,656 DO YOU KNOW HOW I WANTED TO 1673 00:38:44,656 --> 00:38:46,992 MOTHER... 1674 00:38:46,992 --> 00:38:48,694 MY SON SHOULD NEVER CALL ME 1675 00:38:48,694 --> 00:38:50,462 ANOTHER WOMAN NAME. 1676 00:38:50,462 --> 00:38:51,897 NEVER. 1677 00:38:51,897 --> 00:38:53,499 BUT YOU HAVE THAT BECAUSE YOU 1678 00:38:53,499 --> 00:38:55,133 INTRODUCING HIM TO THEM. 1679 00:38:55,133 --> 00:38:55,901 I'VE MADE MISTAKES IN THE 1680 00:38:55,901 --> 00:38:56,568 PAST. 1681 00:38:56,568 --> 00:38:57,436 WE'RE TALKING ABOUT TODAY. 1682 00:38:57,436 --> 00:38:58,103 THIS YEAR-- 1683 00:38:58,103 --> 00:38:58,904 DREW, WE'RE DONE. 1684 00:38:58,904 --> 00:39:00,238 STOP BEING SO EMOTIONAL ABOUT 1685 00:39:00,238 --> 00:39:00,906 THIS RIGHT NOW. 1686 00:39:00,906 --> 00:39:02,173 CAN YOU PLEASE JUST LEAVE? 1687 00:39:02,173 --> 00:39:03,775 I NEED YOU TO GO TO THE BANK, 1688 00:39:03,775 --> 00:39:06,678 GET ANOTHER WHATEVER YOU GOT... 1689 00:39:13,852 --> 00:39:15,754 OH, HELL NO. 1690 00:39:15,754 --> 00:39:16,422 DREW! 1691 00:39:16,422 --> 00:39:17,088 GET OUT THE CAR. 1692 00:39:17,088 --> 00:39:17,923 I'M NOT GETTING OUT THE CAR. 1693 00:39:17,923 --> 00:39:18,624 GET OUT THE CAR. 1694 00:39:18,624 --> 00:39:19,290 GET OUT OF MY FACE. 1695 00:39:19,290 --> 00:39:20,025 ARE YOU GONNA GIVE ME THE 1696 00:39:20,025 --> 00:39:20,692 25 Gs BACK? 1697 00:39:20,692 --> 00:39:21,427 GET OUT OF MY FACE. 1698 00:39:21,427 --> 00:39:22,060 WE NEED TO DO BUSINESS. 1699 00:39:22,060 --> 00:39:23,061 AT THE END OF THE DAY, 1700 00:39:23,061 --> 00:39:23,729 IT'S ALL ABOUT-- 1701 00:39:23,729 --> 00:39:24,496 NO, LET'S NOT WORRY ABOUT 1702 00:39:24,496 --> 00:39:25,531 BUSINESS; YOU NEED HELP. 1703 00:39:25,531 --> 00:39:26,297 WE NEED TO WORRY ABOUT 1704 00:39:26,297 --> 00:39:27,533 BUSINESS, OR I GOT TO GO ON TOUR 1705 00:39:27,533 --> 00:39:28,299 AGAIN. 1706 00:39:28,299 --> 00:39:29,435 IF WE DON'T DO THIS, I'M GOING 1707 00:39:29,435 --> 00:39:30,101 ON TOUR AGAIN. 1708 00:39:30,101 --> 00:39:31,437 I'M NOT HERE TO MAKE YOU 1709 00:39:31,437 --> 00:39:32,037 STAY. 1710 00:39:32,037 --> 00:39:33,705 YOU STAY FOR YOUR SON. 1711 00:39:33,705 --> 00:39:35,106 IT'S LIKE IT'S NEVER ENDING. 1712 00:39:35,106 --> 00:39:36,708 MY LIFE IS THIS, AND I DIDN'T 1713 00:39:36,708 --> 00:39:38,309 CHOOSE THIS LIFE. 1714 00:39:38,309 --> 00:39:39,978 I DIDN'T--DO YOU THINK I WANT TO 1715 00:39:39,978 --> 00:39:41,346 BE A BABY MAMA? 1716 00:39:41,346 --> 00:39:42,514 YOU THINK I WANT TO BE A BABY 1717 00:39:42,514 --> 00:39:43,849 MAMA WITH ANOTHER BABY MAMA? 1718 00:39:43,849 --> 00:39:45,451 YOU THINK I WANT A BABY MAMA? 1719 00:39:45,451 --> 00:39:46,618 I WANT TO BE A BABY MAMA, AND 1720 00:39:46,618 --> 00:39:48,353 THEN MY BABY DADDY GOT HOS 1721 00:39:48,353 --> 00:39:49,187 AFTER HOS? 1722 00:39:49,187 --> 00:39:50,121 HE'S DONE [bleep] EVERYTHING 1723 00:39:50,121 --> 00:39:51,089 IN ATLANTA. 1724 00:39:51,089 --> 00:39:52,090 YOU THINK I WANT TO LIVE THIS 1725 00:39:52,090 --> 00:39:52,758 LIFE? 1726 00:39:52,758 --> 00:39:53,659 LISTEN, I DIDN'T CHOOSE THIS 1727 00:39:53,659 --> 00:39:54,893 [bleep]. 1728 00:39:54,893 --> 00:39:56,327 YOU CHOSE IT FOR ME, AND THEN 1729 00:39:56,327 --> 00:39:57,729 HOW YOU LIVE YOUR LIFE AFFECTS 1730 00:39:57,729 --> 00:39:59,731 ME, AND YOU DON'T EVEN KNOW IT. 1731 00:40:01,800 --> 00:40:03,201 HOW YOU LIVE YOUR LIFE AFFECTS 1732 00:40:03,201 --> 00:40:04,570 OUR SON, AND YOU DON'T EVEN KNOW 1733 00:40:04,570 --> 00:40:05,471 IT, 'CAUSE YOU SELFISH. 1734 00:40:05,471 --> 00:40:06,171 HOW DOES IT AFFECT YOU? 1735 00:40:06,171 --> 00:40:07,072 YOU DO WHAT YOU WANT TO DO, 1736 00:40:07,072 --> 00:40:09,240 WHATEVER MAKES YOU HAPPY. 1737 00:40:19,485 --> 00:40:20,452 ON THE NEXT LOVE and HIP-HOP: 1738 00:40:20,452 --> 00:40:21,152 ATLANTA... 1739 00:40:21,152 --> 00:40:21,953 WHAT'S UP WITH ME AND YOU 1740 00:40:21,953 --> 00:40:23,555 WATCHING THE TAPE OF JOSELINE? 1741 00:40:23,555 --> 00:40:24,823 JOSELINE WAS TOUCHING HER 1742 00:40:24,823 --> 00:40:25,591 [bleep]. 1743 00:40:25,591 --> 00:40:26,858 YOU SHOWED IT TO ME! 1744 00:40:26,858 --> 00:40:28,393 NO, I DIDN'T. 1745 00:40:28,393 --> 00:40:30,061 WHY YOU TALKING ABOUT ME WITH 1746 00:40:30,061 --> 00:40:31,196 YOUR MAN? 1747 00:40:31,196 --> 00:40:31,997 WHY IS MY MAN TALKING ABOUT 1748 00:40:31,997 --> 00:40:32,664 ME TO YOU? 1749 00:40:32,664 --> 00:40:33,865 BITCH, THAT'S WHY. 1750 00:40:33,865 --> 00:40:34,533 BITCH, GO [bleep] 1751 00:40:34,533 --> 00:40:35,834 SOME ASS[bleep]. 1752 00:40:35,834 --> 00:40:36,602 YOU DON'T KNOW, BUT I WENT 1753 00:40:36,602 --> 00:40:37,503 THROUGH YOUR PHONE. 1754 00:40:37,503 --> 00:40:38,904 I SEEN YOU TEXT AND TALKIN' TO 1755 00:40:38,904 --> 00:40:39,838 FEMALES. 1756 00:40:39,838 --> 00:40:40,539 ONCE YOU GO LOOKING FOR 1757 00:40:40,539 --> 00:40:42,407 SOMETHING, YOU GONNA FIND IT. 1758 00:40:42,407 --> 00:40:43,074 DO YOU ALL THIS HAND? 1759 00:40:43,074 --> 00:40:43,742 WHAT? 1760 00:40:43,742 --> 00:40:44,409 WAIT A MINUTE. 1761 00:40:44,409 --> 00:40:45,511 IT'S THE LEFT HAND. 1762 00:40:45,511 --> 00:40:47,412 ERICA, WHAT? 1763 00:40:47,412 --> 00:40:48,547 I THINK I'M PREGNANT. 1764 00:40:48,547 --> 00:40:49,681 WHOO! 1765 00:40:49,681 --> 00:40:50,549 THERE'S A BABY IN THERE. 1766 00:40:50,549 --> 00:40:53,485 THERE'S A BABY IN MY BELLY. 1767 00:40:53,485 --> 00:40:55,086 LET'S DO THIS LIKE BRUTUS. 1768 00:40:55,086 --> 00:40:55,954 LOOK, I'M STILL WORKING WITH 1769 00:40:55,954 --> 00:40:56,655 SHAWTY. 1770 00:40:56,655 --> 00:40:57,689 IS THIS THE PUERTO RICAN 1771 00:40:57,689 --> 00:40:58,557 PRINCESS? 1772 00:40:58,557 --> 00:40:59,558 YES. 1773 00:40:59,558 --> 00:41:00,391 I'M TRYING TO WORK WITH HIM, 1774 00:41:00,391 --> 00:41:01,059 BITCH. 1775 00:41:01,059 --> 00:41:01,893 LISTEN, I DON'T TALK TO THE 1776 00:41:01,893 --> 00:41:02,894 HELP. 1777 00:41:02,894 --> 00:41:04,896 AGH! 1778 00:41:13,071 --> 00:41:15,807 * I KNOW A 1779 00:41:15,807 --> 00:41:19,210 ♪ GEORGIA PRUNE 1780 00:41:19,210 --> 00:41:21,647 ♪ I HIT HER WITH WAX 1781 00:41:21,647 --> 00:41:22,948 [laughing] 1782 00:41:22,948 --> 00:41:25,551 ♪ 'CAUSE I SAY IT THE BEST ♪ 1783 00:41:25,551 --> 00:41:27,753 ♪ OH, I AIN'T GONNA LET HER ♪ 1784 00:41:27,753 --> 00:41:30,088 ♪ PULL OUT MY TRACKS 1785 00:41:30,088 --> 00:41:32,891 ♪ OH-HO, WHOA 1786 00:41:32,891 --> 00:41:35,561 ♪ GEORGIA PRUNE 1787 00:41:35,561 --> 00:41:39,865 ♪ MM-MM-MM 1788 00:41:39,865 --> 00:41:41,867 LIFE IS HARD.